{"id":9424,"date":"2014-12-01T01:32:23","date_gmt":"2014-12-01T07:32:23","guid":{"rendered":"\/nashvillereview\/?p=9424"},"modified":"2015-03-25T19:40:53","modified_gmt":"2015-03-26T01:40:53","slug":"meg-wade-aubade","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/9424","title":{"rendered":"Aubade"},"content":{"rendered":"<p>Sing sugar, sing yourself a love song.<br \/>\n<span style=\"color: #ffffff\">_______________<\/span><\/p>\n<p><span style=\"margin-left: 35px\">There\u2019s a yodel in the radio because it knows someone like you is listening.<\/span><br \/>\n<span style=\"color: #ffffff\">_______________<\/span><\/p>\n<p>No more cigarettes in the sink, the lace you wear to breakfast, and lipsticked<br \/>\nBloody Mary glasses no longer tight-rope walk<br \/>\n<span style=\"margin-left: 230px\">the line between loneliness and art,<\/span><br \/>\n<span style=\"margin-left: 70px\">a bird on a wire,<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0no more<br \/>\nleaving the bar early because it\u2019s Sunday and you\u2019re too drunk to get laid<br \/>\n<span style=\"margin-left: 400px\">anyway.<\/span><\/p>\n<p><span style=\"margin-left: 100px\">Does any of this sound familiar to you?<\/span><\/p>\n<p>The time\u2019s come to sing so you don\u2019t<br \/>\n<span style=\"margin-left: 230px\">forget your fingers can sneak<\/span><br \/>\n<span style=\"margin-left: 60px\">themselves between the buttons of a stranger\u2019s clothes and thumb<\/span><br \/>\n<span style=\"margin-left: 290px\">the teeth of their music box heart.<\/span><\/p>\n<p>You can trace their eyes across the room\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0across your throat,<br \/>\n<span style=\"margin-left: 80px\">across the roundest parts of your body sleeved in light as you<\/span><br \/>\nwalk across the floor barefoot and half-naked.<\/p>\n<p><span style=\"margin-left: 45px\">It\u2019s almost morning and there\u2019s a rightness in all this you can describe\u2014<\/span><br \/>\n<span style=\"color: #ffffff\">_______________<\/span><\/p>\n<p>Girl, open your throat.<\/p>\n<p><span style=\"margin-left: 150px\">Now that you\u2019re liable, you better sing<\/span><br \/>\n<span style=\"margin-left: 250px\"> like you\u2019re decently churched.<\/span><\/p>\n<h6><a href=\"\/nashvillereview\/archives\/8941\">Meg Wade<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Sing sugar, sing yourself a love song. _______________ There\u2019s a yodel in the radio because it knows someone like you is listening. _______________ No more cigarettes in the sink, the lace you wear to breakfast, and lipsticked Bloody Mary glasses no longer tight-rope walk the line between loneliness and art, a bird on a wire,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0no [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[7],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-2s0","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/9424"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=9424"}],"version-history":[{"count":3,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/9424\/revisions"}],"predecessor-version":[{"id":11751,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/9424\/revisions\/11751"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=9424"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=9424"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=9424"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}