{"id":8866,"date":"2014-08-01T12:22:13","date_gmt":"2014-08-01T18:22:13","guid":{"rendered":"\/nashvillereview\/?p=8866"},"modified":"2015-03-26T07:47:39","modified_gmt":"2015-03-26T13:47:39","slug":"summer-2014-table-of-contents","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/8866","title":{"rendered":"Summer 2014"},"content":{"rendered":"<h6><a href=\"\/nashvillereview\/fiction\">Fiction<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/8477\">The Lady in the Song<\/a> by Sylvia Watanabe<br \/>\n<a href=\"\/nashvillereview\/archives\/8280\">Edie Sedgwick<\/a> by Jonathan Durbin<\/p>\n<h6><a href=\"\/nashvillereview\/poetry\">Poetry<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/8356\">Missives<\/a> and <a href=\"\/nashvillereview\/archives\/8297\">A Remnant<\/a> by Laura Kochman<br \/>\n<a href=\"\/nashvillereview\/archives\/8329\">Ragged Point Road<\/a> by Joe Wilkins<br \/>\n<a href=\"\/nashvillereview\/archives\/8341\">Cascade Reservoir<\/a> and <a href=\"\/nashvillereview\/archives\/8339\">Game<\/a> by Calvin Olsen<br \/>\n<a href=\"\/nashvillereview\/archives\/8467\">A Summer<\/a> and <a href=\"\/nashvillereview\/archives\/8468\">A Haunted Place<\/a> by Heather Bowlan<br \/>\n<a href=\"\/nashvillereview\/archives\/8462\">Bore<\/a> and <a href=\"\/nashvillereview\/archives\/8460\">July<\/a> by Trina Burke<br \/>\n<a href=\"\/nashvillereview\/archives\/8429\">Swizzle Sticks<\/a> and <a href=\"\/nashvillereview\/archives\/8426\">Ruby Reds<\/a> by Meri Culp<br \/>\n<a href=\"\/nashvillereview\/archives\/8474\">A Beautiful Night for a Biscuit Truck<\/a> by Anne Barngrover<br \/>\n<a href=\"\/nashvillereview\/archives\/8415\">Letter to the South<\/a> by Daniel DeVaughn<br \/>\n<a href=\"\/nashvillereview\/archives\/8376\">Only in America: On Being Turned Around at Don King\u2019s Estate,<br \/>\nAshtabula County, Ohio<\/a> and <a href=\"\/nashvillereview\/archives\/8375\">Ailanthus: Tree of Heaven<\/a> by Cindy King<br \/>\n<a href=\"\/nashvillereview\/archives\/8453\">Elena<\/a> and <a href=\"\/nashvillereview\/archives\/8451\">Knitting<\/a> by Luisa Caycedo-Kimura<br \/>\n<a href=\"\/nashvillereview\/archives\/8407\">Opinion Page<\/a> by Anya Groner<br \/>\n<a href=\"\/nashvillereview\/archives\/8440\">In Her Letters, Emily Dickinson Would Sometimes Refer to Death as Michigan<\/a> and <a href=\"\/nashvillereview\/archives\/8443\">What the Dying Said to Me in the Dream Where I Became the Dying<\/a> by Charlie Clark<br \/>\n<a href=\"\/nashvillereview\/archives\/8420\">Considering Harper Lee during Sunday Mowing<\/a> by John Davis Jr.<\/p>\n<h6><a href=\"\/nashvillereview\/nonfiction\">Nonfiction<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/8257\">On Naming Women and Mountains<\/a> by Lucy Bryan Green<\/p>\n<h6><a href=\"\/nashvillereview\/comics\">Comics<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/8569\">Return to Manzanar<\/a> by Makoto Ogawa<br \/>\n<a href=\"\/nashvillereview\/archives\/8221\">Alice Neel<\/a> by Summer Pierre<br \/>\n<a href=\"\/nashvillereview\/archives\/8614\">Artoons<\/a> by Rolli<\/p>\n<h6><a href=\"\/nashvillereview\/performance\">Jukebox<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/8650\">1922 Blues<\/a> and <a href=\"\/nashvillereview\/archives\/8659\">Cheap Wine<\/a> by Charlie Parr<br \/>\n<a href=\"\/nashvillereview\/archives\/8680\">I Walked Alone<\/a> by Brittany Newell<br \/>\n<a href=\"\/nashvillereview\/archives\/8669\">Ye Olde Natural Feel<\/a> and <a href=\"\/nashvillereview\/archives\/8672\">Keep Shining Through<\/a> by Heatwarmer<br \/>\n<a href=\"\/nashvillereview\/archives\/8683\">Clarinettes<\/a> by C<\/p>\n<h6><a title=\"Film &amp; Dance\" href=\"http:\/\/wp0.vanderbilt.edu\/nashvillereview\/pieces\/film-dance\">Film\u00a0&amp; Dance<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/8852\">Pink Noir<\/a> by George Schaefer<\/p>\n<h6><a href=\"\/nashvillereview\/interviews\">Interviews<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/8691\">An Interview with Urvashi Butalia<\/a> by Rita Bullwinkel<br \/>\n<a href=\"\/nashvillereview\/archives\/8712\">An Interview with Eavan Boland<\/a> by Alicia Brandewie and Sara Strong<\/p>\n<h6><a href=\"\/nashvillereview\/archives\/8216\"><strong>Contributors<\/strong><\/a><\/h6>\n<h6><a href=\"\/nashvillereview\/archives\/8855\">Masthead<\/a><\/h6>\n<h6>Cover Art by <a title=\"Summer 2014 Contributors\" href=\"http:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/8216\">Sam Rosenblatt<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Fiction The Lady in the Song by Sylvia Watanabe Edie Sedgwick by Jonathan Durbin Poetry Missives and A Remnant by Laura Kochman Ragged Point Road by Joe Wilkins Cascade Reservoir and Game by Calvin Olsen A Summer and A Haunted Place by Heather Bowlan Bore and July by Trina Burke Swizzle Sticks and Ruby Reds [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":11903,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[17],"tags":[29],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2014\/08\/19123306\/samcover.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-2j0","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8866"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=8866"}],"version-history":[{"count":27,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8866\/revisions"}],"predecessor-version":[{"id":11880,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8866\/revisions\/11880"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/11903"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=8866"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=8866"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=8866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}