{"id":8852,"date":"2014-08-01T17:03:57","date_gmt":"2014-08-01T23:03:57","guid":{"rendered":"\/nashvillereview\/?p=8852"},"modified":"2015-03-25T19:11:44","modified_gmt":"2015-03-26T01:11:44","slug":"pink-noir-george-schaefer","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/8852","title":{"rendered":"Pink Noir"},"content":{"rendered":"<div class=\"embed-vimeo\" style=\"text-align: center;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/102288334\" width=\"740\" height=\"416\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<p>&#8220;Pink Noir&#8221; is a narrative experiment derived from a script that offers numerous formal possibilities. It presents an opportunity for play (fun) through the potential to manipulate space and time inherent in montage. &#8220;Pink Noir&#8221; is a movie about fucking, pornography, love, obsession, violence, desire and satisfaction. It&#8217;s also about a color. And expectations, both of characters and viewers.<\/p>\n<p>As viewers, we are conditioned to expect continuity across cuts, particularly with dialogue. We expect characters to talk to one another and for the progression of dialogue to make sense. &#8220;Pink Noir&#8221; plays with this dynamic, delivering sparse, cryptic lines\u2013\u2013often suggesting but not affirming a storyline\u2013\u2013set within a resonant visual space. The characters themselves never inhabit the same frame, though they do occupy a space, style and genre. The visual and sonic form then becomes the vessel for narrative, more so than the speaking characters. <\/p>\n<p>A statement about imagery: once seen, it cannot be unseen, but a viewer may desire to see it again. This process may be one of (deadly) infatuation. Lust, Augustine?<\/p>\n<h6><a href=\"\/nashvillereview\/archives\/8216\">George Schaefer<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Pink Noir&#8221; is a narrative experiment derived from a script that offers numerous formal possibilities. It presents an opportunity for play (fun) through the potential to manipulate space and time inherent in montage. &#8220;Pink Noir&#8221; is a movie about fucking, pornography, love, obsession, violence, desire and satisfaction. It&#8217;s also about a color. And expectations, both [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[17],"tags":[33],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-2iM","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8852"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=8852"}],"version-history":[{"count":1,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8852\/revisions"}],"predecessor-version":[{"id":10195,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8852\/revisions\/10195"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=8852"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=8852"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=8852"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}