{"id":8659,"date":"2014-07-28T14:18:04","date_gmt":"2014-07-28T19:18:04","guid":{"rendered":"\/nashvillereview\/?p=8659"},"modified":"2015-03-14T17:26:56","modified_gmt":"2015-03-14T23:26:56","slug":"charlie-parr-cheap-wine","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/8659","title":{"rendered":"Cheap Wine"},"content":{"rendered":"<p><iframe width=\"740\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F160686677&#038;show_artwork=true&#038;maxwidth=740&#038;maxheight=1000\"><\/iframe><\/p>\n<h6><a href=\"\/nashvillereview\/archives\/8216\">Charlie Parr<\/a><\/h6>\n<p>Many people play roots music, but few modern musicians live those roots like Minnesota&#8217;s Charlie Parr. Recording since the earliest days of the 21st century, Parr&#8217;s heartfelt and plaintive original folk blues and traditional spirituals don&#8217;t strive for authenticity: They are authentic.<\/p>\n<p><a href=\"http:\/\/www.charlieparr.com\/\">http:\/\/www.charlieparr.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Charlie Parr Many people play roots music, but few modern musicians live those roots like Minnesota&#8217;s Charlie Parr. Recording since the earliest days of the 21st century, Parr&#8217;s heartfelt and plaintive original folk blues and traditional spirituals don&#8217;t strive for authenticity: They are authentic. http:\/\/www.charlieparr.com\/<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[17],"tags":[32,30],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-2fF","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8659"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=8659"}],"version-history":[{"count":3,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8659\/revisions"}],"predecessor-version":[{"id":10679,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8659\/revisions\/10679"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=8659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=8659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=8659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}