{"id":8453,"date":"2014-08-01T22:35:34","date_gmt":"2014-08-02T04:35:34","guid":{"rendered":"\/nashvillereview\/?p=8453"},"modified":"2015-02-14T14:46:02","modified_gmt":"2015-02-14T20:46:02","slug":"elena-luisa-caycedo-kimura","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/8453","title":{"rendered":"Elena"},"content":{"rendered":"<p>You are alive, your hair<br \/>\nthe scent of jasmine. You laugh<br \/>\nas the walls of the room move out<br \/>\nthen in, like lungs.<\/p>\n<p>I hug you from behind, kiss your cheek,<br \/>\nmove you away from the brash<br \/>\nmusic of a phonograph.<\/p>\n<p>At the hospital your mind floats<br \/>\nin a dream. I\u2019m thirty-five, or five,<br \/>\nas you said I\u2019d always be.<\/p>\n<p>At night, as if preparing fig trees<br \/>\nto withstand a period below frost,<br \/>\nthe nurses tie you up.<\/p>\n<h6><a href=\"\/nashvillereview\/archives\/8216\">Luisa Caycedo-Kimura<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>You are alive, your hair the scent of jasmine. You laugh as the walls of the room move out then in, like lungs. I hug you from behind, kiss your cheek, move you away from the brash music of a phonograph. At the hospital your mind floats in a dream. I\u2019m thirty-five, or five, as [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[17],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-2cl","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8453"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=8453"}],"version-history":[{"count":3,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8453\/revisions"}],"predecessor-version":[{"id":10185,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8453\/revisions\/10185"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=8453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=8453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=8453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}