{"id":8440,"date":"2014-08-01T22:40:41","date_gmt":"2014-08-02T04:40:41","guid":{"rendered":"\/nashvillereview\/?p=8440"},"modified":"2015-02-14T14:48:56","modified_gmt":"2015-02-14T20:48:56","slug":"in-her-letters-emily-dickinson-would-sometimes-refer-to-death-as-michigan-charlie-clark","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/8440","title":{"rendered":"In Her Letters, Emily Dickinson Would Sometimes Refer to Death as Michigan"},"content":{"rendered":"<p>It was for closure that I came down into the valley to see the thing you were. <\/p>\n<p>~<\/p>\n<p>The whole time I tried to think of flowers, but never settled on a single type. <\/p>\n<p>~<\/p>\n<p>I read somewhere after, or heard someone say, or maybe just decided for myself:<\/p>\n<p>Because it is a sloppy thing, in grief we give ourselves permission to be both greedy and indiscrete in<br \/>\nways we might not understand or like.<\/p>\n<p>And yet we do it, loudly and a lot.<\/p>\n<p>~<\/p>\n<p>Greedy and indiscrete like a priest who after a lifetime of service retires by making his home in the<br \/>\nvillage square and shouting the confessed sins of every passerby. <\/p>\n<p>~<\/p>\n<p>When word came, Sasha and I were in bed meowing at each other and watching winter morning<br \/>\nlight play upon the one writhing whisker of the catfish in the Teraoka print she\u2019d taped up on the<br \/>\nwall, <\/p>\n<p>and the few fine bristles sprouting from the pit of the arm of the girl so languidly wrapped around<br \/>\nthe fish amid the prim white whips of the waves,<\/p>\n<p>and how the sun made both their tendrils come alive and shine.<\/p>\n<p>~<\/p>\n<p>In the silence after, while I was online buying tickets, <\/p>\n<p>Sasha mentioned how, in her letters, Emily Dickinson would sometimes refer to death as Michigan. <\/p>\n<p>Then said she\u2019d always wanted to get that fact into a poem, but had yet to find the proper entry.<\/p>\n<p>~<\/p>\n<p>On the plane I listened to John Fahey\u2019s The Transfiguration of Blind Joe Death on repeat and the only<br \/>\nthing I didn\u2019t hear in his guitar was death, for which I was thankful, <\/p>\n<p>it being mostly impossible for me to watch from inside a plane as its wings cut through the bright<br \/>\ncarpet of the clouds and think of anything but death. <\/p>\n<p>~<\/p>\n<p>Except maybe heaven. <\/p>\n<p>~<\/p>\n<p>Then, Michigan.<\/p>\n<p>~<\/p>\n<p>A rushing that took hours to complete. <\/p>\n<p>~<\/p>\n<p>In descent the world reduced to a paltry few particulars yet still so vague.<\/p>\n<p>~<\/p>\n<p>All the usual darkness, the wood fire droning formally, quiet piles of rugs and snow. <\/p>\n<p>~<\/p>\n<p>And bunches, bunches of white daisies. <\/p>\n<p>~<\/p>\n<p>Seeing you, rouged, uncanny, blue, I found you were not what you were.<\/p>\n<p>~<\/p>\n<p>Nothing except a strangeness in the room about which there was nothing we could do. <\/p>\n<h6><a href=\"\/nashvillereview\/archives\/8216\">Charlie Clark<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>It was for closure that I came down into the valley to see the thing you were. ~ The whole time I tried to think of flowers, but never settled on a single type. ~ I read somewhere after, or heard someone say, or maybe just decided for myself: Because it is a sloppy thing, [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[17],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-2c8","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8440"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=8440"}],"version-history":[{"count":2,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8440\/revisions"}],"predecessor-version":[{"id":10188,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8440\/revisions\/10188"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=8440"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=8440"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=8440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}