{"id":8356,"date":"2014-08-01T12:13:42","date_gmt":"2014-08-01T18:13:42","guid":{"rendered":"\/nashvillereview\/?p=8356"},"modified":"2015-02-14T14:36:23","modified_gmt":"2015-02-14T20:36:23","slug":"missives-laura-kochman","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/8356","title":{"rendered":"Missives"},"content":{"rendered":"<p>Unsure if I can write to you.<\/p>\n<p>Sorry I was not there, when the dash ran out.<\/p>\n<p>You appeared to me in a dream, yourself but sharper.<br \/>\nIt was the voice<br \/>\n<span style=\"margin-left:80px\">emerging from the mouth.<\/span>\t\t  <\/p>\n<p>Does it whine, where you are? I\u2019m hard of hearing. I\u2019m spinal.<\/p>\n<p>The monochrome of your hair.<\/p>\n<p><span style=\"margin-left:35px\"><em>Little Girl<\/em>.<\/span><br \/>\n<span style=\"margin-left:35px\">Yours.<\/span>\t\t<\/p>\n<p>In the story of the gray owl, we all saw it flying around for a few days, body of a ghost<\/p>\n<p><span style=\"margin-left:35px\">in the daytime. That\u2019s the story<\/span>\t\t<\/p>\n<p><span style=\"margin-left:70px\">version. That\u2019s the version I remember.<\/span>\t<\/p>\n<p>In the long version, the end comes as a relief. To who?<\/p>\n<p>To whom?<\/p>\n<p><span style=\"margin-left:100px\">Thinking of namesakes. Foliage.<\/span>\t\t\t\t<\/p>\n<p>At the boundaries. In the kitchen.<\/p>\n<p>Having made all the beds. Having already gotten dressed<br \/>\nI\u2019m waiting at the boundary line.<\/p>\n<p><span style=\"margin-left:70px\">In a dream, in a dream, in a photo of a dream.<\/span>\t<\/p>\n<h6><a href=\"\/nashvillereview\/archives\/8216\">Laura Kochman<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Unsure if I can write to you. Sorry I was not there, when the dash ran out. You appeared to me in a dream, yourself but sharper. It was the voice emerging from the mouth. Does it whine, where you are? I\u2019m hard of hearing. I\u2019m spinal. The monochrome of your hair. Little Girl. Yours. [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[17],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-2aM","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8356"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=8356"}],"version-history":[{"count":2,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8356\/revisions"}],"predecessor-version":[{"id":10168,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8356\/revisions\/10168"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=8356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=8356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=8356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}