{"id":8297,"date":"2014-08-01T12:14:39","date_gmt":"2014-08-01T18:14:39","guid":{"rendered":"\/nashvillereview\/?p=8297"},"modified":"2015-02-14T14:37:23","modified_gmt":"2015-02-14T20:37:23","slug":"a-remnant-laura-kochman","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/8297","title":{"rendered":"A Remnant"},"content":{"rendered":"<p>Where she wove it, orange, the border thread is<\/p>\n<p>a reminder. That other side. She the gatekeeper \/ the remnant weaver<br \/>\nlimping around in the stitching.<\/p>\n<p>The real version<br \/>\nWhatever that means<br \/>\nIt\u2019s on a museum wall that looks like this<br \/>\n<span style=\"margin-left: 35px\">white and flat<\/span><br \/>\n<span style=\"margin-left: 35px\">the unmarked entryway<\/span><\/p>\n<p>My parents hung it above the stairs going down to the den, where<br \/>\nthe floors split themselves into upper and lower<br \/>\n<span style=\"margin-left: 35px\">just a slight tilt<\/span><\/p>\n<p>Where the house shows the seams of itself<\/p>\n<p>At the ragged edge \u00a0\u00a0\u00a0\u00a0\u00a0the orange thread<br \/>\nwhere the stone is actually broken and missing<\/p>\n<p><span style=\"margin-left: 155px\">Are you wearing yourself into the weaving<\/span><\/p>\n<p>She, all fur and fingers<br \/>\nThe soft of her remaining stretched across this frame<\/p>\n<p>Hung up with the other family portraits<br \/>\nhe hunts with a spear in the Nile marshes \/ on the outskirts<br \/>\nof New Jersey<\/p>\n<p>Standing next to his wife<br \/>\n<span style=\"margin-left: 80px\">his legs angled against the boat floor, the marsh line<\/span><\/p>\n<p><span style=\"margin-left: 35px\">a fan of birds<\/span><\/p>\n<p>The edge of something should never be a line, I learned<br \/>\nin art class, a long time ago<\/p>\n<p>Each piece of the body becomes a code, I mean, language<br \/>\nhas always had the outline of a body, ankles.<\/p>\n<p>Where the stone is actually broken and missing<\/p>\n<p>How to arrive at the city of the dead<\/p>\n<p>Where his daughter sits folded in the triangle of his legs<br \/>\n<span style=\"margin-left: 35px\">in the flat plane of image<\/span><\/p>\n<p><span style=\"margin-left: 35px\">You must turn sideways to slip through the wall<\/span><\/p>\n<p>When they discovered the mummy\u2019s true identity, they sent him back to his country of origin, and<br \/>\nwere rewarded with a false door. I\u2019ve also never been dead.<\/p>\n<p>It\u2019s all familiar<br \/>\n<span style=\"margin-left: 35px\">the birds<\/span><br \/>\n<span style=\"margin-left: 35px\">the open-mouthed cat<\/span>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0swarming fish at the base<\/p>\n<p>Though I never was there<br \/>\nin the scene or in the weaving<br \/>\nor the museum I imagine hunched over a river<\/p>\n<p><span style=\"margin-left: 35px\">At night, I ran past the dark stairway, afraid of the dead space<\/span><\/p>\n<p>To mark the edge and its unreality, orange<\/p>\n<p><span style=\"margin-left: 35px\">All the flashlights rolling around in front of my fingers<\/span><\/p>\n<p>Turns out I\u2019m in the stitching now \/ me the borderline<br \/>\nshaping leftover spaces<br \/>\n<span style=\"margin-left: 155px\">like they put dye in the water to follow its movement<\/span><br \/>\nsnaking around the invisible<br \/>\non the other side of the visible<\/p>\n<h6><a href=\"http:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/8216\" title=\"Summer 2014 Contributors\">Laura Kochman<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Where she wove it, orange, the border thread is a reminder. That other side. She the gatekeeper \/ the remnant weaver limping around in the stitching. The real version Whatever that means It\u2019s on a museum wall that looks like this white and flat the unmarked entryway My parents hung it above the stairs going [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[17],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-29P","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8297"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=8297"}],"version-history":[{"count":20,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8297\/revisions"}],"predecessor-version":[{"id":10060,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8297\/revisions\/10060"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=8297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=8297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=8297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}