{"id":8181,"date":"2014-04-01T00:00:13","date_gmt":"2014-04-01T05:00:13","guid":{"rendered":"\/nashvillereview\/?p=8181"},"modified":"2015-03-26T06:04:50","modified_gmt":"2015-03-26T12:04:50","slug":"spring-2014-table-of-contents","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/8181","title":{"rendered":"Spring 2014"},"content":{"rendered":"
Fiction<\/a><\/h6>\n

Dog Years<\/a> by Edward Helfers
\nDump Week<\/a> by Alex McElroy<\/p>\n

Poetry<\/a><\/h6>\n

Ghosts Into Stones<\/a> by Gary Carter
\nQu\u00e9bec<\/a> by Boona Daroom
\nFast on the Tenth Day of Tishrei<\/a> and Freud Dreams of Sandman<\/a> by Julia Kolchinsky Dasbach
\nthe Witch<\/a> by Freya Gibbon
\nHeron<\/a> and I live across a field where they sell old things<\/a> by Samiah Haque
\nMuscle<\/a> and Future Queen of the Wilis Goes Hunting<\/a> by Meg Johnson
\nCorpse Pose<\/a> by Kristen Kuczenski
\nLocks<\/a>, Lemonade<\/a>, and Last Call<\/a> by Esteban Rodriguez
\nCygnets as Two Ghosts<\/a> and North<\/a> by Matthew Wimberley<\/p>\n

Nonfiction<\/a><\/h6>\n

Mother Moves Us, Father<\/a> by Nate Liederbach<\/p>\n

Comics<\/a><\/h6>\n

Cedar Shingles<\/a> by Sarah Rutter<\/p>\n

Jukebox<\/a><\/h6>\n

The Ballad of Nellie Wilson<\/a> & The Bag End March<\/a> by Bella’s Bartok
\nAnother Day<\/a> by Carousel
\nLittle Red Roses<\/a> by Jennifer Nicely<\/p>\n

Interviews<\/a><\/h6>\n

An Interview with Edmund White<\/a> by Maggie Zebracka<\/p>\n

Contributors<\/a><\/h6>\n
Masthead<\/a><\/h6>\n
Cover Art by Taylor Emrey Glascock<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"

Fiction Dog Years by Edward Helfers Dump Week by Alex McElroy Poetry Ghosts Into Stones by Gary Carter Qu\u00e9bec by Boona Daroom Fast on the Tenth Day of Tishrei and Freud Dreams of Sandman by Julia Kolchinsky Dasbach the Witch by Freya Gibbon Heron and I live across a field where they sell old things […]<\/p>\n","protected":false},"author":22,"featured_media":8046,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[12],"tags":[29],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2014\/03\/19123327\/NR-2014-Cover-Spring.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-27X","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8181"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=8181"}],"version-history":[{"count":8,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8181\/revisions"}],"predecessor-version":[{"id":11879,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/8181\/revisions\/11879"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/8046"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=8181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=8181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=8181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}