{"id":7767,"date":"2013-12-01T01:07:12","date_gmt":"2013-12-01T06:07:12","guid":{"rendered":"\/nashvillereview\/?p=7767"},"modified":"2015-03-26T06:04:04","modified_gmt":"2015-03-26T12:04:04","slug":"fall-2013-table-of-contents","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/7767","title":{"rendered":"Fall 2013"},"content":{"rendered":"<h6><a href=\"\/nashvillereview\/fiction\">Fiction<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/7863\">No Doorbell<\/a> by Jesse Goolsby<br \/>\n<a href=\"\/nashvillereview\/archives\/7346\">Panhandling<\/a> by Tyler McAndrew<br \/>\n<a href=\"\/nashvillereview\/archives\/7360\">Johnny and July<\/a> by Molly Bridgeforth<\/p>\n<h6><a href=\"\/nashvillereview\/poetry\">Poetry<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/7597\">Girlwife in July<\/a>, <a href=\"\/nashvillereview\/archives\/7600\">Girlwife of Infrequent Lunch Meetings<\/a>, and <a href=\"\/nashvillereview\/archives\/7594\"> Parlor<\/a> by Virginia McLure<br \/>\n<a href=\"\/nashvillereview\/archives\/7527\">Honeycomb<\/a> and <a href=\"\/nashvillereview\/archives\/7569\">Skin <\/a> by J.P. Grasser<br \/>\n<a href=\"\/nashvillereview\/archives\/7496\">Palindrome<\/a> by Nate Marshall<br \/>\n<a href=\"\/nashvillereview\/archives\/7606\">Labor<\/a> by Leah Huizar<br \/>\n<a href=\"\/nashvillereview\/archives\/7591\">When the Storms Come<\/a> by Lisa Cihlar<br \/>\n<a href=\"\/nashvillereview\/archives\/7603\">The Disagreement<\/a> by Sarah Carson<br \/>\n<a href=\"\/nashvillereview\/archives\/7582\">Wool<\/a>, <a href=\"\/nashvillereview\/archives\/7579\">In the Hot Air Balloon<\/a>, and <a href=\"\/nashvillereview\/archives\/7576\">Vermeer at the Metropolitan Museum of Art<\/a> by Shelley Wong<br \/>\n<a href=\"\/nashvillereview\/archives\/7573\">Litany<\/a> by Lisa Hiton<br \/>\n<a href=\"\/nashvillereview\/archives\/7520\">We Kept Our Shadow<\/a> by Christina McDaniel<br \/>\n<a href=\"\/nashvillereview\/archives\/7516\">Rag and Bone<\/a> by Ashley Strosnider<br \/>\n<a href=\"\/nashvillereview\/archives\/7507\">Takeout, 2013<\/a> by Corey Ginsberg<\/p>\n<h6><a href=\"\/nashvillereview\/nonfiction\">Nonfiction<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/7373\">Sick<\/a> by Harmony Neal<\/p>\n<h6><a href=\"\/nashvillereview\/comics\">Comics<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/7638\">The Parish<\/a> by Joel Smith and Ryan Winet<br \/>\n<a href=\"\/nashvillereview\/archives\/7454\">New Artoons <\/a> by Rolli<\/p>\n<h6><a href=\"\/nashvillereview\/performance\">Jukebox<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/7315\">We Got The Days<\/a> by The So So Glos<br \/>\n<a href=\"\/nashvillereview\/archives\/7325\">Blue Rooms<\/a> by Honey Locust<br \/>\n<a href=\"\/nashvillereview\/archives\/7319\">From The Lake To The Land (Live in Tuscaloosa)<\/a> by Foreign Fields<br \/>\n<a href=\"\/nashvillereview\/archives\/7340\">A Series of Events<\/a> by Kisses<br \/>\n<a href=\"\/nashvillereview\/archives\/7343\">Every Time<\/a> by Roman Candle<\/p>\n<h6><a href=\"\/nashvillereview\/interviews\">Interviews<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/7761\">An Interview with Deborah Eisenberg<\/a> by Lee Conell<br \/>\n<a href=\"\/nashvillereview\/archives\/7749\">An Interview with Justin Torres<\/a> by Claire Jimenez and Laura Birdsall<\/p>\n<h6><a title=\"Fall 2013 Contributors\" href=\"http:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/7369\">Contributors<\/a><\/h6>\n<h6><a href=\"\/nashvillereview\/archives\/7175\">Masthead<\/a><\/h6>\n<h6>Cover Art by <a title=\"Fall 2013 Contributors\" href=\"http:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/7369\">Casey Ochoa<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Fiction No Doorbell by Jesse Goolsby Panhandling by Tyler McAndrew Johnny and July by Molly Bridgeforth Poetry Girlwife in July, Girlwife of Infrequent Lunch Meetings, and Parlor by Virginia McLure Honeycomb and Skin by J.P. Grasser Palindrome by Nate Marshall Labor by Leah Huizar When the Storms Come by Lisa Cihlar The Disagreement by Sarah [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":7731,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[29],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2013\/11\/19123329\/NR-2013-Fall-Cover.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-21h","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/7767"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=7767"}],"version-history":[{"count":5,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/7767\/revisions"}],"predecessor-version":[{"id":11878,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/7767\/revisions\/11878"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/7731"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=7767"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=7767"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=7767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}