{"id":7606,"date":"2013-12-01T01:09:33","date_gmt":"2013-12-01T06:09:33","guid":{"rendered":"\/nashvillereview\/?p=7606"},"modified":"2015-02-12T09:20:31","modified_gmt":"2015-02-12T15:20:31","slug":"labor-leah-huizar","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/7606","title":{"rendered":"Labor"},"content":{"rendered":"<p>I. Immigration<\/p>\n<p>She lived under leaves, lissome and cold,<br \/>\nin a wild bed burrowed beneath the arched roots<br \/>\nof a decrepit tree. Time grew rings in the soles of her<br \/>\nfeet. She left the roots and the beetles, a cradle <\/p>\n<p>she\u2019d carved from the dust. She traveled like driftwood,<br \/>\nriding a winding path to a hill-cut town. Its mottled and wet<br \/>\nbanks wash her into their backdoors. In these new places,<br \/>\nshe swept the rooms of wooden mistresses, <\/p>\n<p>embraced their linens: Scrubbed and wrung brown sheets;<br \/>\nplunged her chipped knuckles in smoky water. Slog up, grind down.<br \/>\nSkin and cloth against furrowed washboard ridges; spine bent<br \/>\nand unbent under the wet morning. She threads her days. <\/p>\n<p>II. Skins<\/p>\n<p>To skin potatoes you have to get bone-close.<br \/>\nFlick the peeler\u2019s blade a cut above a bracing thumb;<br \/>\nnow whittle what\u2019s withering,<br \/>\nscalpel the sheath that rots; run down the cinched<br \/>\nstarch bodies, separate skins from cores.<br \/>\nRind dirt will rub into perspiring pores,<br \/>\nwet, where your fingers glide and shift and score<br \/>\nanother veil of skin. Cut again<br \/>\nbut here with a chef\u2019s knife; precise. Incisions<br \/>\nso clean the oval flats sweat glossy sheens<br \/>\nthat glint with light like mirrors. The starch<br \/>\nwill glisten and bead but you won\u2019t stop. You\u2019ll cut<br \/>\nand cut, while the beige oxidized in air turns dark,<br \/>\nthe way blood does, leaving the body.<\/p>\n<h6><a href=\"\/nashvillereview\/archives\/7369\">Leah Huizar<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>I. Immigration She lived under leaves, lissome and cold, in a wild bed burrowed beneath the arched roots of a decrepit tree. Time grew rings in the soles of her feet. She left the roots and the beetles, a cradle she\u2019d carved from the dust. She traveled like driftwood, riding a winding path to a [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-1YG","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/7606"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=7606"}],"version-history":[{"count":1,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/7606\/revisions"}],"predecessor-version":[{"id":10078,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/7606\/revisions\/10078"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=7606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=7606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=7606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}