{"id":7582,"date":"2013-12-01T01:09:52","date_gmt":"2013-12-01T06:09:52","guid":{"rendered":"\/nashvillereview\/?p=7582"},"modified":"2015-02-12T09:16:43","modified_gmt":"2015-02-12T15:16:43","slug":"wool-shelley-wong","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/7582","title":{"rendered":"Wool"},"content":{"rendered":"<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<em>after Frida Kahlo<\/em><\/p>\n<p>All night, I pull thread.<br \/>\nIn the morning, I button my shirt<br \/>\nleft over right. I kick the dust<\/p>\n<p>with my black hooves and<br \/>\nturn from the corner where<br \/>\nI once played at wife. You are<\/p>\n<p>terrible music, the song that<br \/>\nslowly singes. But no longer:<br \/>\nmy blood has switched. I am<\/p>\n<p>the rough-handed woman<br \/>\nwhose silence keeps others<br \/>\nlocked in chairs. I will march<\/p>\n<p>into the city and you will wait<br \/>\nin our kitchen, the bread<br \/>\ngoing stale, the monkey <\/p>\n<p>concealing his face.<\/p>\n<h6><a href=\"\/nashvillereview\/archives\/7369\">Shelley Wong<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;after Frida Kahlo All night, I pull thread. In the morning, I button my shirt left over right. I kick the dust with my black hooves and turn from the corner where I once played at wife. You are terrible music, the song that slowly singes. But no longer: my blood has switched. I am [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-1Yi","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/7582"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=7582"}],"version-history":[{"count":1,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/7582\/revisions"}],"predecessor-version":[{"id":10075,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/7582\/revisions\/10075"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=7582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=7582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=7582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}