{"id":7507,"date":"2013-12-01T01:11:05","date_gmt":"2013-12-01T06:11:05","guid":{"rendered":"\/nashvillereview\/?p=7507"},"modified":"2015-02-15T19:08:23","modified_gmt":"2015-02-16T01:08:23","slug":"takeout-2013-corey-ginsberg","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/7507","title":{"rendered":"Takeout, 2013"},"content":{"rendered":"<p><em>After Denise Duhamel<\/em><\/p>\n<p>It\u2019s only March 2013, but I keep writing 2017 on checks. I think this is a sign<br \/>\nthat I\u2019m already done with this year, and for that matter, the next several.<br \/>\nI think everything\u2019s a sign and maybe that\u2019s the problem.<br \/>\nDriving to work in my wheezing VW, each time the monorail passes over me<br \/>\nI make a wish and know something good\u2019s in store. Usually I\u2019m wrong<br \/>\nabout what I think I know. Some days when the monorail tents my car<br \/>\nI still end up in some bathroom stall, crying about some thing. Last time<br \/>\nI wished upon the monorail I fell in a puddle of my sweat while doing lunges<br \/>\nand blew out my knee. Knees are a symbol of stability and foundation.<br \/>\nI\u2019ve spent more of 2013 on crutches than I have passing as a normal human.<\/p>\n<p>It\u2019s only March and I\u2019m working full-time to not lose myself<br \/>\nin the rhetoric of disconnection. I forget faces and names<br \/>\nlike they\u2019re state capitals and irregular French verbs. Everyone\u2019s already forgotten<br \/>\nthe Mayan apocalypse four months ago. I, though, am still apocalypsing.<br \/>\nA week after the world ended my agent told me everyone passed<br \/>\non my novel. When my uncle died a month later, slumped over a shoebox<br \/>\nfull of orange plastic cylinders drained of their white discs,<br \/>\nthey had to bury him in a special casket because his body was rotting prematurely.<br \/>\nThere are special caskets that contain premature rot. This could be a sign.<br \/>\nMy car died today so I didn\u2019t get to wager a wish. Everything dies<br \/>\nalone, I once read. Except cars. My car likes to die in good company,<br \/>\nor even mediocre company, with me bitch slapping its collarbone and begging<br \/>\nit to hang on for three thousand more klicks. Another AAA resurrection, a new<br \/>\nbattery and a promise from Frank, the cross-eyed mechanic, that I\u2019ll make it<br \/>\nto work on Monday. The year melts into a mobius strip of undesirable<br \/>\nmontage moments, strung together into a wobbly ouroboros.<br \/>\nWhen I stare down the horizon, I can see into the hood of my sweatshirt.<\/p>\n<p>It\u2019s only March and I\u2019ve already cemented the divorce between Hypothetical<br \/>\nMe and Real Me, a separation that takes others years, even mental illness,<br \/>\nto properly reinforce. Hypothetical Me does so much more<br \/>\nthan walk in heels and balance a checkbook. She makes eye contact,<br \/>\nasks about your mom\u2019s colonoscopy, and has intelligent things to say<br \/>\nabout fracking. Hypothetical Me knows what fracking is, whereas Real Me thinks<br \/>\nit\u2019s a combination of fucking and racking, which can\u2019t be right,<br \/>\nand doesn\u2019t even make sense. Real Me is aware of her diminished capacity<br \/>\nfor sense-making, which runs parallel to her compounding aversion<br \/>\nto human interaction. Hypothetical Me excels at many things Real Me can\u2019t<br \/>\nfathom. She did much better at the strip club than Real Me,<br \/>\nwho spent the bulk of the night in yet another bathroom stall, hiding<br \/>\nfrom an extremely topless stripper who\u2019d been paid by real friends to give a real<br \/>\nlap dance. Hypothetical Me can handle strippers as well as clothed humans,<br \/>\nwhereas Real Me drives to the party, sits in the car a block away, then goes<br \/>\nhome, puts on eating pants and destroys a pint of raw cookie dough.<br \/>\nA stasis of selves requires no true compromise.<\/p>\n<p>It\u2019s only March and I know it\u2019s presumptuous to write off nine months,<br \/>\nbut last week the dog threw up on my crutches while I was icing my knee.<br \/>\nIf this is a sign I\u2019m not sure what to do with it, other than declare 2013 a takeout<br \/>\nyear, three months in. There\u2019s still time to apply the mercy rule and stop the pattern<br \/>\nfrom propagating. If that\u2019s settling, then I\u2019m settling for settling, which is meta-<br \/>\nsettling, a new dimension to my rationalization spectrum. I didn\u2019t get mad<br \/>\nat the dog for releasing his poison. Letting it out is better than waiting<br \/>\nfor it to corrode the inside. The next day, when the stomach flu ripped me<br \/>\nout of sleep, I threw up in my bathroom sink. Then I had to clean up the vomit,<br \/>\nwhich made me puke again, this time in the toilet. There is no protocol<br \/>\nfor retracting nine months, and no way to concede without collapsing into self-<br \/>\npity. What\u2019s in store for the remainder of the year could be so much worse<br \/>\nthan this colossal teaser. For all I know the next time the monorail passes<br \/>\nover while I\u2019m negotiating the asphalt below, it may derail<br \/>\nand flatten my car before I can cast a final, frugal wish.<\/p>\n<h6><a href=\"\/nashvillereview\/archives\/7369\">Corey Ginsberg<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>After Denise Duhamel It\u2019s only March 2013, but I keep writing 2017 on checks. I think this is a sign that I\u2019m already done with this year, and for that matter, the next several. I think everything\u2019s a sign and maybe that\u2019s the problem. Driving to work in my wheezing VW, each time the monorail [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-1X5","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/7507"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=7507"}],"version-history":[{"count":2,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/7507\/revisions"}],"predecessor-version":[{"id":10232,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/7507\/revisions\/10232"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=7507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=7507"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=7507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}