{"id":6526,"date":"2013-04-01T00:00:29","date_gmt":"2013-04-01T05:00:29","guid":{"rendered":"\/nashvillereview\/?p=6526"},"modified":"2015-06-12T15:39:34","modified_gmt":"2015-06-12T21:39:34","slug":"spring-2013","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/6526","title":{"rendered":"Spring 2013"},"content":{"rendered":"
FICTION<\/a><\/h6>\n

Woodley Park<\/a> by Sarah Mollie Silberman
\nA Savior, Belief, Tupac, and Balloons<\/a> by Venita Blackburn<\/p>\n

POETRY<\/a><\/h6>\n

Think of a House <\/a> by Okla Elliott
\nIf Only I\u2019d Thought of It <\/a> by Christopher Citro
\nHouse-Sitting <\/a>, Woman in the Diorama <\/a>, and Roadside <\/a> by Annah Browning
\nOn the Flood, Grown More Perilous<\/a> by Brianna Noll
\nWoman at the well <\/a> and Listening <\/a> by Meriwether Clarke
\nEverett <\/a> by Ann Pelletier
\nGo Like This<\/a> by Dara-Lyn Shrager
\nBystander\u2019s Lament<\/a> by Katy Miller
\nElegy <\/a> and Self-Portrait in Binary<\/a> by P. J. Williams<\/p>\n

nonfiction<\/a><\/h6>\n

Smile4Waxy<\/a> by Anthony Walner<\/p>\n

comics<\/a><\/h6>\n

Artoons <\/a> by Rolli
\nLesbian Cattle Dogs <\/a> by Lydia Conklin<\/p>\n

jukebox<\/a><\/h6>\n

Learning to Let Go<\/a> by Bombadil
\nSpring <\/a> by Brooks Long & the Mad Dog No Good
\nGeorgia <\/a> by Channing Showalter
\nOnly For You<\/a> by Heartless Bastards<\/p>\n

film & dance<\/a><\/h6>\n

don\u2019t be cruel <\/a> by Ashley Anderson<\/p>\n

interviews<\/a><\/h6>\n

An Interview with Nikky Finney<\/a> by Cara Dees<\/p>\n

contributors<\/a><\/h6>\n
masthead<\/a><\/h6>\n
cover art by Athena melton<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"

FICTION Woodley Park by Sarah Mollie Silberman A Savior, Belief, Tupac, and Balloons by Venita Blackburn POETRY Think of a House by Okla Elliott If Only I\u2019d Thought of It by Christopher Citro House-Sitting , Woman in the Diorama , and Roadside by Annah Browning On the Flood, Grown More Perilous by Brianna Noll Woman […]<\/p>\n","protected":false},"author":353,"featured_media":6500,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[11],"tags":[29],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2013\/03\/19123336\/Spring-2013-athena.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-1Hg","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/6526"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/353"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=6526"}],"version-history":[{"count":4,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/6526\/revisions"}],"predecessor-version":[{"id":12063,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/6526\/revisions\/12063"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/6500"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=6526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=6526"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=6526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}