{"id":6495,"date":"2013-04-01T00:10:39","date_gmt":"2013-04-01T05:10:39","guid":{"rendered":"\/nashvillereview\/?p=6495"},"modified":"2015-03-25T15:58:05","modified_gmt":"2015-03-25T21:58:05","slug":"heartless-bastards","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/6495","title":{"rendered":"Heartless Bastards"},"content":{"rendered":"<h6>Only For You<\/h6>\n<p><iframe width=\"740\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F85389525&#038;show_artwork=true&#038;maxwidth=740&#038;maxheight=1000\"><\/iframe><\/p>\n<h6><a href=\"\/nashvillereview\/archives\/6330\">Heartless Bastards<\/a><\/h6>\n<p>Brimming with confidence and creativity, Arrow \u2013 the latest offering from Heartless Bastards \u2013 sees the group pushing their distinctive sound forward with their most eclectic, energetic collection thus far. The album \u2013 the Austin, Texas-based band\u2019s first release with Partisan Records \u2013 is marked as ever by singer\/guitarist\/songwriter Erika Wennerstrom\u2019s remarkable voice, at turns primal and pleading, heartfelt and heroic.<\/p>\n<p><a href=\"http:\/\/www.theheartlessbastards.com\">theheartlessbastards.com<\/a><br \/>\n<a href=\"http:\/\/www.facebook.com\/heartlessbastards\"> facebook.com\/heartlessbastards<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Only For You Heartless Bastards Brimming with confidence and creativity, Arrow \u2013 the latest offering from Heartless Bastards \u2013 sees the group pushing their distinctive sound forward with their most eclectic, energetic collection thus far. The album \u2013 the Austin, Texas-based band\u2019s first release with Partisan Records \u2013 is marked as ever by singer\/guitarist\/songwriter Erika [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[11],"tags":[32],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-1GL","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/6495"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=6495"}],"version-history":[{"count":2,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/6495\/revisions"}],"predecessor-version":[{"id":11709,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/6495\/revisions\/11709"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=6495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=6495"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=6495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}