{"id":6439,"date":"2013-04-01T00:10:42","date_gmt":"2013-04-01T05:10:42","guid":{"rendered":"\/nashvillereview\/?p=6439"},"modified":"2015-03-25T15:57:44","modified_gmt":"2015-03-25T21:57:44","slug":"bombadil","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/6439","title":{"rendered":"Bombadil"},"content":{"rendered":"<h6>Learning to Let Go<\/h6>\n<div class=\"embed-vimeo\" style=\"text-align: center;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/62964931\" width=\"740\" height=\"416\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<h6>Songwriting Discussion<\/h6>\n<div class=\"embed-vimeo\" style=\"text-align: center;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/62907337\" width=\"740\" height=\"416\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<h6><a href=\"\/nashvillereview\/archives\/6330\">Bombadil<\/a><\/h6>\n<p>spent most of 2012 touring and recording the songs that became their latest effort, <em>Metrics of Affection<\/em>. The album is their most melodic and adventurous outing yet, a cornucopia of styles marked by mischievously surrealistic lyrics and their familiar lush harmonies. Their inventive arrangements add funk, country, boogie woogie, rap, early rock and hints classic pop songwriting, circa 1940, to their already eclectic sound.<\/p>\n<p>This acoustic performance of \u201cLearning to Let Go\u201d and the accompanying discussion of the songwriting process are <em>Nashville Review<\/em> exclusives.<\/p>\n<p>Big thanks to Monkeywhale Productions.<\/p>\n<p><a href=\"http:\/\/monkeywhale.com\/\">monkeywhale.com<\/a><\/p>\n<p><a href=\"http:\/\/bombadil.squarespace.com\">bombadil.squarespace.com<\/a><\/p>\n<p><a href=\"http:\/\/www.facebook.com\/wearebombadil\">facebook.com\/wearebombadil<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Learning to Let Go Songwriting Discussion Bombadil spent most of 2012 touring and recording the songs that became their latest effort, Metrics of Affection. The album is their most melodic and adventurous outing yet, a cornucopia of styles marked by mischievously surrealistic lyrics and their familiar lush harmonies. Their inventive arrangements add funk, country, boogie [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[11],"tags":[32],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s6Jypy-bombadil","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/6439"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=6439"}],"version-history":[{"count":3,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/6439\/revisions"}],"predecessor-version":[{"id":10726,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/6439\/revisions\/10726"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=6439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=6439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=6439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}