{"id":6429,"date":"2013-04-01T00:10:43","date_gmt":"2013-04-01T05:10:43","guid":{"rendered":"\/nashvillereview\/?p=6429"},"modified":"2015-03-25T15:57:14","modified_gmt":"2015-03-25T21:57:14","slug":"channing-showalter","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/6429","title":{"rendered":"Channing Showalter"},"content":{"rendered":"<h6> Georgia <\/h6>\n<p><iframe width=\"740\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F85389132&#038;show_artwork=true&#038;maxwidth=740&#038;maxheight=1000\"><\/iframe><\/p>\n<h6><a href=\"\/nashvillereview\/archives\/6330\">Channing Showalter<\/a><\/h6>\n<p>grew up in Seattle, Washington. She played classical cello when she was little, but music never felt right until she discovered fiddle and old-time. Stylistically influenced by old ballads and heartfelt tunes, she writes songs inspired by dead foxes, bird bones, and abandoned places. She has traveled widely through this country&#8217;s open land and smallest towns. Channing lives in Port Townsend, Washington.<\/p>\n<p>Georgia is a song about a crumbling old mill and the spirit leftover. The first line (&#8220;My mother is a fish&#8221;) is spoken by Vardaman Bundren in William Faulkner&#8217;s <em>As I Lay Dying<\/em>. Channing and a close friend recorded this track on a handheld voice recorder in a cabin in the shadow of Black Butte, Oregon.<\/p>\n<p>jane(dot)channing(at)gmail(dot)com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Georgia Channing Showalter grew up in Seattle, Washington. She played classical cello when she was little, but music never felt right until she discovered fiddle and old-time. Stylistically influenced by old ballads and heartfelt tunes, she writes songs inspired by dead foxes, bird bones, and abandoned places. She has traveled widely through this country&#8217;s open [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[11],"tags":[32],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-1FH","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/6429"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=6429"}],"version-history":[{"count":4,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/6429\/revisions"}],"predecessor-version":[{"id":11708,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/6429\/revisions\/11708"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=6429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=6429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=6429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}