{"id":6070,"date":"2012-12-01T18:00:08","date_gmt":"2012-12-02T00:00:08","guid":{"rendered":"\/nashvillereview\/?p=6070"},"modified":"2015-03-25T15:59:56","modified_gmt":"2015-03-25T21:59:56","slug":"j-roddy-walston-and-the-business","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/6070","title":{"rendered":"J. Roddy Walston and the Business"},"content":{"rendered":"<h6>Jesus Gonna Do His Best<\/h6>\n<p><iframe width=\"740\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F69481221&#038;show_artwork=true&#038;maxwidth=740&#038;maxheight=1000\"><\/iframe><\/p>\n<h6><a href=\"\/nashvillereview\/archives\/6046\">J. Roddy Walston and the Business<\/a><\/h6>\n<p>Known for their head-banging Southern Rock sound and rowdy live show (according to <em>Spin Magazine<\/em>, they ended a show in Manhattan this past summer by throwing their shattered piano bench into the East River), J. Roddy Walston and the Business are a four-piece band out of Baltimore, Md.<\/p>\n<p>\u201cJesus Gonna Do His Best\u201d<em> <\/em>is an unreleased track.<\/p>\n<p><a href=\"http:\/\/www.jroddywalstonandthebusiness.com\/\">http:\/\/www.jroddywalstonandthebusiness.com\/<\/a><\/p>\n<p><a href=\"http:\/\/www.vagrant.com\/artists\/bio\/58-jroddy\/\">http:\/\/www.vagrant.com\/artists\/bio\/58-jroddy\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jesus Gonna Do His Best J. Roddy Walston and the Business Known for their head-banging Southern Rock sound and rowdy live show (according to Spin Magazine, they ended a show in Manhattan this past summer by throwing their shattered piano bench into the East River), J. Roddy Walston and the Business are a four-piece band [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[5],"tags":[32],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-1zU","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/6070"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=6070"}],"version-history":[{"count":4,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/6070\/revisions"}],"predecessor-version":[{"id":11713,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/6070\/revisions\/11713"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=6070"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=6070"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=6070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}