{"id":5798,"date":"2012-12-21T00:10:30","date_gmt":"2012-12-21T05:10:30","guid":{"rendered":"\/nashvillereview\/?p=5798"},"modified":"2015-02-15T19:18:29","modified_gmt":"2015-02-16T01:18:29","slug":"rick-santorum","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/5798","title":{"rendered":"Rick Santorum"},"content":{"rendered":"<p>Poetry is known for opposing mainstream opinions,<br \/>\nespecially those routinely taught in classrooms.<\/p>\n<p>Poetry has a personal objection to pornography,<br \/>\nnot to mention condoms\u2014things that get in the way.<\/p>\n<p>Its name has been used as a euphemism, a punchline,<br \/>\nthough rarely in a flattering or non-satirical light.<\/p>\n<p>Poetry believes in the sanctity of the Vatican\u2014<br \/>\nthat is, it believes in something that doesn\u2019t exist.<\/p>\n<p>Most voters agree that Poetry needs medication<br \/>\nbut argue over the best form of experimental therapy.<\/p>\n<p>In regards to energy production, Poetry espouses<br \/>\na simple platform: drill now, drill everywhere.<\/p>\n<p>Poetry boasts a minority of vocal supporters,<br \/>\nhard-liners in a war fought entirely in their minds.<\/p>\n<p>Though many have predicted Poetry\u2019s decline,<br \/>\nit seems to thrive off panic and economic strife.<\/p>\n<p>It has also been criticized for the way it grieves:<br \/>\nthe swaddled stillborn driven home before burial,<\/p>\n<p>its tearful caressing of what you and I would<br \/>\nsimply dress, box up, and quarantine underfoot.<\/p>\n<h6><a href=\"\/nashvillereview\/archives\/6046\">Michael Meyerhofer<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Poetry is known for opposing mainstream opinions, especially those routinely taught in classrooms. Poetry has a personal objection to pornography, not to mention condoms\u2014things that get in the way. Its name has been used as a euphemism, a punchline, though rarely in a flattering or non-satirical light. Poetry believes in the sanctity of the Vatican\u2014 [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[5],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-1vw","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/5798"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=5798"}],"version-history":[{"count":1,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/5798\/revisions"}],"predecessor-version":[{"id":10240,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/5798\/revisions\/10240"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=5798"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=5798"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=5798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}