{"id":5762,"date":"2012-12-01T00:10:55","date_gmt":"2012-12-01T05:10:55","guid":{"rendered":"\/nashvillereview\/?p=5762"},"modified":"2015-02-15T19:13:27","modified_gmt":"2015-02-16T01:13:27","slug":"two-views-duke-street","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/5762","title":{"rendered":"Two Views: Duke Street"},"content":{"rendered":"<p>Heaving up from the black,<br \/>\narms spread<br \/>\nand the body hidden, caught<br \/>\n<span style=\"color: #ffffff\"> _____<\/span>\u2014 up from the tar, sick<br \/>\nfor purchase, neck and head<br \/>\ncurved in to that labor,<br \/>\nthe opossum, mid-lane, clings<br \/>\nto what seems an edge of road<br \/>\nwith its front half, now its whole:<br \/>\n<span style=\"color: #ffffff\">_____<\/span>legs, tail, sex, all gone, just<br \/>\nimplication under the lane which does not give<br \/>\nor hold anything<br \/>\nbut itself<\/p>\n<p><span style=\"color: #ffffff\">_____<\/span>and a hawk perched,<br \/>\nadamant, a boulder in the road\u2019s<br \/>\nfurious current, unafraid<br \/>\nof the tires\u2019 jaws swung wide<br \/>\naround its body clamped<br \/>\nto a carcass too<br \/>\nheavy to lift, too raw<br \/>\nto leave, the hawk<br \/>\nsteady, a demolition claw<br \/>\ngrasping at a bridge\u2019s hips<\/p>\n<p><span style=\"color: #ffffff\">__________<\/span>\u2014 as one<br \/>\nremembered face might<br \/>\ndeflect some structure, might disclose<br \/>\na native grace in its<br \/>\nflayed and<br \/>\nunseeable parts<\/p>\n<h6><a href=\"\/nashvillereview\/archives\/6046\">Joellen Craft<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Heaving up from the black, arms spread and the body hidden, caught _____\u2014 up from the tar, sick for purchase, neck and head curved in to that labor, the opossum, mid-lane, clings to what seems an edge of road with its front half, now its whole: _____legs, tail, sex, all gone, just implication under the [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[5],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-1uW","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/5762"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=5762"}],"version-history":[{"count":1,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/5762\/revisions"}],"predecessor-version":[{"id":10233,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/5762\/revisions\/10233"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=5762"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=5762"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=5762"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}