{"id":5545,"date":"2012-08-01T00:10:13","date_gmt":"2012-08-01T05:10:13","guid":{"rendered":"\/nashvillereview\/?p=5545"},"modified":"2012-08-01T00:10:13","modified_gmt":"2012-08-01T05:10:13","slug":"summer-2012","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/5545","title":{"rendered":"Summer 2012"},"content":{"rendered":"

Summer 2012 Table of Contents<\/h3>\n


\n<\/code><\/p>\n

Comiques<\/a> by Anne Emond<\/p>\n

_____<\/em>\"vge6\"<\/a><\/span><\/span><\/p>\n

_____<\/em>Comics<\/a><\/span><\/span><\/p>\n

Dendrochronology<\/a> by John A. Nieves<\/p>\n

_____<\/span>They were mining for time, but time was not cooperating.<\/em><\/p>\n

_____<\/span>Poetry<\/a><\/p>\n

Dowsing<\/a> by Gwendolyn Jensen<\/p>\n

_____<\/span><\/em>Soft and slow, the water moves,\/Comely, cool, it lingers<\/em><\/p>\n

_____<\/span><\/em>Poetry<\/a><\/p>\n

Step in (City Lines)<\/a> by Fort Frances<\/p>\n

_____<\/span>Jukebox<\/a><\/p>\n

Phosphorescence<\/a> by Amanda Fields<\/p>\n

_____<\/span>Very hadn\u2019t felt the same way as other mothers, the way everyone says you\u2019re supposed to feel<\/em><\/p>\n

_____<\/span>Fiction<\/a><\/p>\n

Repeat Live Capture<\/a> by Brad Clompus<\/p>\n

_____ <\/span>When you get\/\u2028to the field by the river,\/\u2028open the lid, expect\/\u2028anything.<\/em> <\/em><\/p>\n

_____<\/span>Poetry<\/a><\/p>\n

On Deadlifting<\/a> by Brian Furuness<\/p>\n

_____I’m not a big man, but I have a powerful ass. This makes it hard to shop for pants, but it also makes one hell of a fulcrum<\/em><\/span><\/span> <\/em><\/p>\n

_____<\/span>Nonfiction<\/a><\/p>\n

Tropic Troping Bird<\/a> by Stephen Massimilla<\/p>\n

_____ <\/span>Our regard for each other a series\/of seconds raring\/\u2028to stare and stare.<\/em><\/p>\n

_____<\/span>Poetry<\/a><\/p>\n

Plainsong<\/a> by Hope Mohr<\/p>\n

\"Plainsong1\"<\/a>\"plainsong2\"<\/a>\"Plainsong3\"<\/a>\"plainsong4\"<\/a><\/p>\n

_____<\/span>Dance<\/a><\/p>\n

Water-bearing<\/a> by Ashley Keyser<\/p>\n

_____ <\/span>The broad bronze women need no one\/\u2028now to save them, unremarked-on\/\u2028as anything else aging in public spaces.<\/em><\/p>\n

_____<\/span>Poetry<\/a><\/p>\n

To a Girl<\/a> by Rachel Marie Patterson<\/p>\n

_____ <\/span>In the end, what we were given\/\u2028was not only violence.<\/em><\/p>\n

_____<\/span>Poetry<\/a><\/p>\n

Killing Time<\/a> by Zephaniah Bostow<\/p>\n

_____<\/span>Jukebox<\/a><\/p>\n

Cul-de-Sac<\/a> and\u00a0Vine River<\/a> by F. Daniel Rzicznek<\/p>\n

_____ <\/span>The map is a hunger for dimension,\/\u2028what meaning becomes becomes meaning<\/em> <\/em><\/p>\n

_____<\/span>Poetry<\/a><\/p>\n

Hoverboard<\/a> by Sydney Freeland<\/p>\n

\"hoverboard1\"<\/a>\"hoverboard2\"<\/a>\"Hoverboard3\"<\/a>\"Hoverboard4\"<\/a><\/p>\n

_____<\/span>Film<\/a><\/p>\n

Drive<\/a> by Thomas Donovan<\/p>\n

_____<\/span>Jukebox<\/a><\/p>\n

Destruction Myth<\/a> and\u00a0David and the Anatomical Venus<\/a> by Emma Sovich<\/p>\n

_____<\/span>In these their last days alive, the workers bit at the remaining honeycomb, chewing it to soften it then spitting it out.<\/em><\/p>\n

_____<\/span>Poetry<\/a><\/p>\n

Mother: An Aggadah<\/a> and\u00a0Damage Ready<\/a> by Sarah Marcus<\/p>\n

_____<\/span>Kirsten strokes my hair and says,\u2028\/ maybe you were put on this earth for your mother<\/em><\/p>\n

_____<\/span><\/em>Poetry<\/a><\/p>\n

The Stars in Illinois<\/a> by Dallas Woodburn<\/p>\n

_____<\/span>Eleanor believes friendships are a matter of convenience and circumstance<\/em><\/p>\n

_____<\/span>Fiction<\/a><\/p>\n

Dream of Adolescence<\/a> by Leanne Chabalko<\/p>\n

_____ <\/span>In the field I find sick bottles and arrowheads\/\u2028I see an elk rub antlers across a chokecherry tree<\/em><\/p>\n

_____<\/span><\/em>Poetry<\/a><\/p>\n

A Story We Might Follow<\/a> by Joe Wilkins<\/p>\n

_____ <\/span>We shoe up and slip down drifts,\/wend our slow way through oak\/and heavy-headed sumac<\/em><\/p>\n

_____<\/span>Poetry<\/a><\/p>\n

An Interview with Alicia Ostriker<\/a> by Melissa Cundieff<\/p>\n

_____<\/span>The writer, the poet, can experience himself\/ herself as a vessel the wind of the spirit blows through.<\/em><\/p>\n

_____<\/span>Interviews<\/a><\/p>\n

Pantoum from Wilson Pickett Interview<\/a> by Harold Whit Williams<\/p>\n

_____<\/span>After mother knelt down & hollered for my soul\/\u00a0She’d hit me with anything – skillets & stove wood –<\/em><\/p>\n

_____<\/span><\/em>Poetry<\/a><\/p>\n

The Wrong Side of Rapture<\/a> by Traci Brimhall and Eryn Cruft<\/p>\n

_____<\/em>\"vge6\"<\/a><\/span><\/span><\/p>\n

_____<\/span>Comics<\/a><\/p>\n

Jake<\/a> by Jonathan Brown<\/p>\n

_____<\/span> <\/span>We all become dust, but some of us just enjoy being swept away.<\/em><\/p>\n

_____<\/span>Poetry (Oral)<\/a><\/p>\n

Strange Victory, Strange Defeat<\/a> by Jeff Alessandrelli<\/p>\n

_____<\/span> Invisible hands,\/ invisible arms, invisible feet,\/the snake rises up<\/em><\/p>\n

_____<\/span>Poetry<\/a><\/p>\n

The Eye<\/a> by Mike Meginnis<\/p>\n

_____<\/span>Ben was back from the war and he had a purple heart. Nobody agreed on where or how severely he had been wounded.<\/em><\/p>\n

_____<\/span>Fiction<\/a><\/p>\n

Summer 2012 Contributors<\/strong><\/a><\/p>\n

Masthead<\/a><\/strong><\/p>\n

Cover Art “Thread” by <\/strong>Pickles!, Master Obsessor and Creator of Fantastical Things<\/a><\/span><\/strong><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Summer 2012 Table of Contents Comiques by Anne Emond _____ _____Comics Dendrochronology by John A. Nieves _____They were mining for time, but time was not cooperating. _____Poetry Dowsing by Gwendolyn Jensen _____Soft and slow, the water moves,\/Comely, cool, it lingers _____Poetry Step in (City Lines) by Fort Frances _____Jukebox Phosphorescence by Amanda Fields _____Very hadn\u2019t […]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[15],"tags":[],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-1rr","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/5545"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=5545"}],"version-history":[{"count":0,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/5545\/revisions"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=5545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=5545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=5545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}