{"id":5193,"date":"2012-04-01T00:10:12","date_gmt":"2012-04-01T05:10:12","guid":{"rendered":"\/nashvillereview\/?p=5193"},"modified":"2015-06-12T15:41:50","modified_gmt":"2015-06-12T21:41:50","slug":"spring-2012","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/5193","title":{"rendered":"Spring 2012"},"content":{"rendered":"
fiction<\/a><\/h6>\n

Triage<\/a> by Nickolas Butler
\nThe Astronomer<\/a> by Allyson Goldin Loomis<\/p>\n

poetry<\/a><\/h6>\n

Late Summer: To the Bride<\/a>, Gaunt Pleasures<\/a>, Rain Off the Gulf of Guinea<\/a>, and The Sorting Grounds<\/a> by Todd Fredson
\nVenus De Milo<\/a> by Christopher Ankney
\nxylem\/deployment<\/a> by Amanda Bales
\nEpithalamium <\/a>and La Tarantata<\/a> by Claudia Cortese
\nBlue Talk Bites<\/a> by William Ford
\nTo the Protestor at the Pride Parade<\/a> by Andrew Kozma
\nThis Is Siren Country<\/a> and Self-portrait with a Teak Fleet of Sailing Ships<\/a> by Lo Kwa Mei-en
\nDarlings<\/a> by Jenny Lederer
\nThe Ash Trees at Midnight<\/a> by Jacob Newberry
\nThe Foundling Wheel (2)<\/a>, Prayer<\/a>, and A Proof<\/a> by Blas Falconer<\/p>\n

nonfiction<\/a><\/h6>\n

Everything But the Poison<\/a> by Kelly Magee<\/p>\n

jukebox<\/a><\/h6>\n

Brooklyn<\/a> by Sean Cooney
\nLoved<\/a> by Among Brothers
\nUnderneath the Crown<\/a> by Juxedo
\nWater’s Vessel<\/a> by Swimming in Speakers
\nBoy<\/a> by Ra Ra Riot
\nTouch the Lion<\/a> by Megafauna
\nNo State Solution<\/a> by Chicken Little<\/p>\n

interviews<\/a><\/h6>\n

An Interview with Maile Meloy<\/a> by Jenna Williams
\nAn Interview with Bonnie Jo Campbell<\/a> by Jill Schepmann<\/p>\n

contributors<\/a><\/h6>\n
masthead<\/a><\/h6>\n
cover art by Lissy Elle Laricchia<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"

fiction Triage by Nickolas Butler The Astronomer by Allyson Goldin Loomis poetry Late Summer: To the Bride, Gaunt Pleasures, Rain Off the Gulf of Guinea, and The Sorting Grounds by Todd Fredson Venus De Milo by Christopher Ankney xylem\/deployment by Amanda Bales Epithalamium and La Tarantata by Claudia Cortese Blue Talk Bites by William Ford […]<\/p>\n","protected":false},"author":353,"featured_media":5216,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[10],"tags":[29],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2012\/04\/19123344\/Spring-2012.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-1lL","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/5193"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/353"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=5193"}],"version-history":[{"count":4,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/5193\/revisions"}],"predecessor-version":[{"id":12066,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/5193\/revisions\/12066"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/5216"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=5193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=5193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=5193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}