{"id":4945,"date":"2011-12-01T00:05:28","date_gmt":"2011-12-01T05:05:28","guid":{"rendered":"\/nashvillereview\/?p=4945"},"modified":"2015-06-12T15:42:24","modified_gmt":"2015-06-12T21:42:24","slug":"fall-2011","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/4945","title":{"rendered":"Fall 2011"},"content":{"rendered":"<h6><a title=\"Fiction\" href=\"\/nashvillereview\/pieces\/fiction\">Fiction<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/4744\">The Eagle Has Conjured Itself into a Dry Leaf Floating in the Wind<\/a> by Rick Pechous<br \/>\n<a href=\"\/nashvillereview\/archives\/4728\">A Bomb, an Egg, and Anne Bradstreet&#8217;s Lover<\/a> by Katie Williams<\/p>\n<h6><a title=\"Poetry\" href=\"\/nashvillereview\/pieces\/poetry\">poetry<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/4866\">A Word for Berryman<\/a> by Paul Allen<br \/>\n<a href=\"\/nashvillereview\/archives\/4854\">Stray Dog Prayers<\/a> by Ryan Smith<br \/>\n<a href=\"\/nashvillereview\/archives\/5013\">Mandolin in White Wood, Inlay<\/a> by Joshua Brown<br \/>\n<a href=\"\/nashvillereview\/archives\/4888\">Lazarus<\/a>, <a href=\"\/nashvillereview\/archives\/4891\">To a Predator<\/a>, and <a href=\"\/nashvillereview\/archives\/4893\">For My Brother<\/a> by David McLoghlin<br \/>\n<a href=\"\/nashvillereview\/archives\/4885\">Rural Causality<\/a> by Weston Cutter<br \/>\n<a href=\"\/nashvillereview\/archives\/4863\">The Sirens<\/a> by Tyler Mills<br \/>\n<a href=\"\/nashvillereview\/archives\/4808\">Joe Cuomo, Local Weatherman, Tests The Old Idea Of Heaven<\/a> by Sean Bishop<br \/>\n<a href=\"\/nashvillereview\/archives\/4856\">Litany<\/a> by Rachael Lyon<br \/>\n<a href=\"\/nashvillereview\/archives\/4899\">Idyll<\/a>, <a href=\"\/nashvillereview\/archives\/4896\">Prayer Handles<\/a>, and <a href=\"\/nashvillereview\/archives\/4902\">Quart of View<\/a> by Erin Radcliffe<br \/>\n<a href=\"\/nashvillereview\/archives\/4858\">Black Witch Moth<\/a> by Phillip Williams<br \/>\n<a href=\"\/nashvillereview\/archives\/4851\">Upon the morning of the spring equinox I steal precisely ten words from John Berryman<\/a> by Alice George<\/p>\n<h6><a title=\"Nonfiction\" href=\"\/nashvillereview\/pieces\/nonfiction\">nonfiction<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/4723\">Things That Sublimate in the Night<\/a> by Mike Peterson<\/p>\n<h6><a title=\"Comics\" href=\"\/nashvillereview\/pieces\/comics\">comics<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/4745\">Like A Promethean Curse<\/a> by VGE<\/p>\n<h6><a title=\"Jukebox\" href=\"\/nashvillereview\/pieces\/jukebox\">jukebox<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/4871\">Juniper<\/a> by Y La Bamba<br \/>\n<a href=\"\/nashvillereview\/archives\/4876\">Turquoise Balloons<\/a> by Marmalakes<br \/>\n<a href=\"\/nashvillereview\/archives\/4880\">ESP<\/a> by Hooded Fang<br \/>\n<a href=\"\/nashvillereview\/archives\/4873\">Schtick<\/a> by Phantom Power<br \/>\n<a href=\"\/nashvillereview\/archives\/4882\">Cathode Ray<\/a> by Blonde Summer<br \/>\n<a href=\"\/nashvillereview\/archives\/4929\">Screws Get Loose<\/a> by Those Darlins<br \/>\n<a href=\"\/nashvillereview\/archives\/4878\">Sea Dreamer<\/a> by Wildlife<br \/>\n<a href=\"\/nashvillereview\/archives\/4868\">Girls Like Me<\/a> by TV Girl<\/p>\n<h6><a title=\"Fall 2011 Contributors\" href=\"\/nashvillereview\/archives\/4752\">contributors<\/a><\/h6>\n<h6><a title=\"Fall 2011 Masthead\" href=\"\/nashvillereview\/archives\/4941\">masthead<\/a><\/h6>\n<h6>cover art by <a title=\"Fall 2011 Contributors\" href=\"\/nashvillereview\/archives\/4752\">ryder richards<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Fiction The Eagle Has Conjured Itself into a Dry Leaf Floating in the Wind by Rick Pechous A Bomb, an Egg, and Anne Bradstreet&#8217;s Lover by Katie Williams poetry A Word for Berryman by Paul Allen Stray Dog Prayers by Ryan Smith Mandolin in White Wood, Inlay by Joshua Brown Lazarus, To a Predator, and [&hellip;]<\/p>\n","protected":false},"author":353,"featured_media":4951,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[4],"tags":[29],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2011\/12\/19123344\/Fall-2011-Final.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-1hL","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4945"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/353"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=4945"}],"version-history":[{"count":4,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4945\/revisions"}],"predecessor-version":[{"id":12067,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4945\/revisions\/12067"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/4951"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=4945"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=4945"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=4945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}