{"id":4880,"date":"2011-12-01T00:05:55","date_gmt":"2011-12-01T05:05:55","guid":{"rendered":"\/nashvillereview\/?p=4880"},"modified":"2015-03-25T15:17:43","modified_gmt":"2015-03-25T21:17:43","slug":"esp","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/4880","title":{"rendered":"Hooded Fang"},"content":{"rendered":"<h6>ESP<\/h6>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-4880-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2011\/12\/19123307\/01-ESP-1.mp3?_=1\" \/><a href=\"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2011\/12\/19123307\/01-ESP-1.mp3\">https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2011\/12\/19123307\/01-ESP-1.mp3<\/a><\/audio>\n<h6><a href=\"\/nashvillereview\/archives\/4752\">Hooded Fang<\/a><\/h6>\n<p>ESP is a track off of Hooded Fang\u2019s second album <em>Tosta Mista<\/em> which arrived in late July 2011. Often described as a \u2018fuzzy indie pop ensemble\u2019 their sound has migrated toward an amalgam of keen melodies, scrappy, surf-influenced guitar work, \u2018verbed out vocals and fully danceable 60\u2019s drum breaks, conjuring up images of sweaty patio parties and hot summer nights.\u201d Using key imagistic moments like \u201cyour legs are like stems of flowers\u201d coupled with familiar sentiments and dance-y beats, Hooded Fang defamiliarizes the pop song while keeping it highly listenable.<\/p>\n<p>Check out more Hooded Fang here: <a href=\"www.hoodedfang.com\">www.hoodedfang.com<\/a> \u2014<em>Rebecca Bernard<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ESP Hooded Fang ESP is a track off of Hooded Fang\u2019s second album Tosta Mista which arrived in late July 2011. Often described as a \u2018fuzzy indie pop ensemble\u2019 their sound has migrated toward an amalgam of keen melodies, scrappy, surf-influenced guitar work, \u2018verbed out vocals and fully danceable 60\u2019s drum breaks, conjuring up images [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[4],"tags":[32],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s6Jypy-esp","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4880"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=4880"}],"version-history":[{"count":2,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4880\/revisions"}],"predecessor-version":[{"id":11651,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4880\/revisions\/11651"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=4880"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=4880"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=4880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}