{"id":4871,"date":"2011-12-01T00:05:29","date_gmt":"2011-12-01T05:05:29","guid":{"rendered":"\/nashvillereview\/?p=4871"},"modified":"2015-03-25T15:21:39","modified_gmt":"2015-03-25T21:21:39","slug":"juniper","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/4871","title":{"rendered":"Y La Bamba"},"content":{"rendered":"<h6>Juniper<\/h6>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-4871-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2011\/12\/19123307\/06-Juniper.mp3?_=1\" \/><a href=\"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2011\/12\/19123307\/06-Juniper.mp3\">https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2011\/12\/19123307\/06-Juniper.mp3<\/a><\/audio>\n<h6><a href=\"\/nashvillereview\/archives\/4752\">Y La Bamba<\/a><\/h6>\n<p>Juniper off the album <em>Lupon <\/em>readily captures the hazy folk mysticism of Y La Bamba\u2019s oeuvre. The complex sounds create a rich story which takes from a hybrid of different influences both musically and inspirationally. According to their press release, \u201cWith Y La Bamba, Luzelena Mendoza draws from both her strict Catholic upbringing as an only daughter of a Mexican immigrant and a debilitating illness that led her fall away from her faith.\u201d<\/p>\n<p>For more Y La Bamba check out: <a href=\"http:\/\/www.myspace.com\/ylabamba\">http:\/\/www.myspace.com\/ylabamba<\/a> \u2014<em>Rebecca Bernard<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Juniper Y La Bamba Juniper off the album Lupon readily captures the hazy folk mysticism of Y La Bamba\u2019s oeuvre. The complex sounds create a rich story which takes from a hybrid of different influences both musically and inspirationally. According to their press release, \u201cWith Y La Bamba, Luzelena Mendoza draws from both her strict [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[4],"tags":[32],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s6Jypy-juniper","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4871"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=4871"}],"version-history":[{"count":2,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4871\/revisions"}],"predecessor-version":[{"id":11658,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4871\/revisions\/11658"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=4871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=4871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=4871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}