{"id":4677,"date":"2011-08-01T00:10:32","date_gmt":"2011-08-01T05:10:32","guid":{"rendered":"\/nashvillereview\/?p=4677"},"modified":"2015-06-12T15:36:03","modified_gmt":"2015-06-12T21:36:03","slug":"summer-2011","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/4677","title":{"rendered":"Summer 2011"},"content":{"rendered":"<h6><a title=\"Fiction\" href=\"\/nashvillereview\/pieces\/fiction\">Fiction<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/4356\">The Cracks In The Sidewalk<\/a> by Ben Loory<br \/>\n<a href=\"\/nashvillereview\/archives\/4295\">Aaron Englund, July 1970<\/a> by Lori Ostlund<br \/>\n<a href=\"\/nashvillereview\/archives\/4283\">Reptile House<\/a> by Robin McLean<\/p>\n<h6><a title=\"Poetry\" href=\"\/nashvillereview\/pieces\/poetry\">poetry<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/4450\">Getting It Right<\/a> by Andrew Najberg<br \/>\n<a href=\"\/nashvillereview\/archives\/4344\">Early In The Day Of The Solar Eclipse<\/a>, <a href=\"\/nashvillereview\/archives\/4348\">XII.<\/a>, and <a href=\"\/nashvillereview\/archives\/4340\">Before The World Went To Hell<\/a> by Miriam Bird Greenberg<br \/>\n<a href=\"\/nashvillereview\/archives\/4331\">The Mummy Boycotts Easter<\/a> by Patrick Whitfill<br \/>\n<a href=\"\/nashvillereview\/archives\/4386\">The Rise of Communism<\/a>, <a href=\"\/nashvillereview\/archives\/4382\">Robert Frost in the Slaughter House<\/a>, and <a href=\"\/nashvillereview\/archives\/4377\">Self-Portrait on Cigarette Foil I<\/a> by Craig Blais<br \/>\n<a href=\"\/nashvillereview\/archives\/4325\">Lesson<\/a> by Jenny Johnson<br \/>\n<a href=\"\/nashvillereview\/archives\/4312\">On Hunger<\/a> by Elizabeth Wade<br \/>\n<a href=\"\/nashvillereview\/archives\/4334\">To the Heart<\/a> by Ori Fienberg<br \/>\n<a href=\"\/nashvillereview\/archives\/4368\">A voice from the country of my dreams<\/a> by Landa wo<br \/>\n<a href=\"\/nashvillereview\/archives\/4301\">Red Doors<\/a> by Joe Bueter<br \/>\n<a href=\"\/nashvillereview\/archives\/4322\">Therapy Dog<\/a> by Phil Estes<br \/>\n<a href=\"\/nashvillereview\/archives\/4316\">Storm Windows (Imago)<\/a> by John Nieves<br \/>\n<a href=\"\/nashvillereview\/archives\/4309\">The Horizon<\/a> and <a href=\"\/nashvillereview\/archives\/4306\">The Plains<\/a> by Christopher DeWeese<br \/>\n<a href=\"\/nashvillereview\/archives\/4392\">from <em>Winter: aphorisms<\/em><\/a> by Sarah Vap<\/p>\n<h6><a title=\"Nonfiction\" href=\"\/nashvillereview\/pieces\/nonfiction\">nonfiction<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/4360\">from &#8220;Cloud-Capped Star&#8221;<\/a> by Tarfia Faizullah<\/p>\n<h6><a title=\"Comics\" href=\"\/nashvillereview\/pieces\/comics\">comics<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/4462\">Chiapas<\/a> by Nick St. John<br \/>\n<a href=\"\/nashvillereview\/archives\/4507\">MCA<\/a> by Keiler Roberts<br \/>\n<a href=\"\/nashvillereview\/archives\/3481\">The Old Guys<\/a> by Mark Ehling and Will Dinski<\/p>\n<h6><a title=\"Jukebox\" href=\"\/nashvillereview\/pieces\/jukebox\">jukebox<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/4653\">Wind Will Not Shake Me<\/a> by Oh, Mountain<br \/>\n<a href=\"\/nashvillereview\/archives\/4530\">Feathers (Don&#8217;t Change On Me)<\/a> by Absofacto<br \/>\n<a href=\"\/nashvillereview\/archives\/4527\">Cannibal Street<\/a> by Dudes Die<br \/>\n<a href=\"\/nashvillereview\/archives\/4535\">My True-Love<\/a> and <a href=\"\/nashvillereview\/archives\/4540\">Saying Goodbye<\/a> by Jim Clark<br \/>\n<a href=\"\/nashvillereview\/archives\/4434\">Beelzebub Is My Bud<\/a> by Trilobite<br \/>\n<a href=\"\/nashvillereview\/archives\/4422\">Big Sur (Instrumental)<\/a> by Botany<br \/>\n<a href=\"\/nashvillereview\/archives\/4647\">Birth of a Line<\/a> by The Great Curve<\/p>\n<h6><a title=\"Interviews\" href=\"\/nashvillereview\/interviews\">interviews<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/4446\">An Interview With Jean McGarry<\/a> by Rebecca Bernard<br \/>\n<a href=\"\/nashvillereview\/archives\/4428\">An Interview With Kevin Wilson<\/a> by Jake Karlsruher<br \/>\n<a href=\"\/nashvillereview\/archives\/4277\">An Interview With D.A. Powell<\/a> by Andrew Rahal<br \/>\n<a href=\"\/nashvillereview\/archives\/4438\">An Interview With David Shields<\/a> by Ethan Milner<\/p>\n<h6><a title=\"Summer 2011 Contributors\" href=\"\/nashvillereview\/archives\/4418\">contributors<\/a><\/h6>\n<h6><a title=\"Summer 2011 Masthead\" href=\"\/nashvillereview\/archives\/4644\">masthead<\/a><\/h6>\n<h6>cover art by <a title=\"Summer 2011 Contributors\" href=\"\/nashvillereview\/archives\/4418\">edward traugott<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Fiction The Cracks In The Sidewalk by Ben Loory Aaron Englund, July 1970 by Lori Ostlund Reptile House by Robin McLean poetry Getting It Right by Andrew Najberg Early In The Day Of The Solar Eclipse, XII., and Before The World Went To Hell by Miriam Bird Greenberg The Mummy Boycotts Easter by Patrick Whitfill [&hellip;]<\/p>\n","protected":false},"author":353,"featured_media":4663,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[14],"tags":[29],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2011\/07\/19123345\/Summer-2011.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-1dr","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4677"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/353"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=4677"}],"version-history":[{"count":5,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4677\/revisions"}],"predecessor-version":[{"id":12061,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4677\/revisions\/12061"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/4663"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=4677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=4677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=4677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}