{"id":4422,"date":"2011-08-01T00:10:40","date_gmt":"2011-08-01T05:10:40","guid":{"rendered":"\/nashvillereview\/?p=4422"},"modified":"2015-03-25T13:44:18","modified_gmt":"2015-03-25T19:44:18","slug":"big-sur","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/4422","title":{"rendered":"Botany"},"content":{"rendered":"<h6>Big Sur (Instrumental)<\/h6>\n<p><iframe width=\"740\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F197662115&#038;show_artwork=true&#038;maxwidth=740&#038;maxheight=1000\"><\/iframe><\/p>\n<h6><a href=\"\/nashvillereview\/archives\/4418\">Botany<\/a><\/h6>\n<p> is the solo moniker of Spencer Stephenson. His songs are lush worlds with mixtures of found and recycled sounds. The layered and evocative nature of the soundscapes he creates is a prime example of the way in which music can blur the lines of artistic boundaries to feel like a painting or even a story sans traditional lyrics.<\/p>\n<p>The track \u201cBig Sur (Instrumental)&#8221; was producer for Philadelphia rapper\/producer, Lushlife.<\/p>\n<p>Check out more Botany here: <a href=\"www.botanymusic.com\">www.botanymusic.com<\/a> \u2014 <em>Rebecca Bernard<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Big Sur (Instrumental) Botany is the solo moniker of Spencer Stephenson. His songs are lush worlds with mixtures of found and recycled sounds. The layered and evocative nature of the soundscapes he creates is a prime example of the way in which music can blur the lines of artistic boundaries to feel like a painting [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[14],"tags":[32],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-19k","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4422"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=4422"}],"version-history":[{"count":3,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4422\/revisions"}],"predecessor-version":[{"id":11596,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4422\/revisions\/11596"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=4422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=4422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=4422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}