{"id":4377,"date":"2011-08-01T00:10:51","date_gmt":"2011-08-01T05:10:51","guid":{"rendered":"\/nashvillereview\/?p=4377"},"modified":"2015-02-17T10:08:24","modified_gmt":"2015-02-17T16:08:24","slug":"self-portrait-on-cigarette-foil-i","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/4377","title":{"rendered":"Self-Portrait on Cigarette Foil I"},"content":{"rendered":"<p>The size of an island skyline postcard, Lee Joong Seop\u2019s \u201cFamily\u201d at the Leeum Museum in Seoul looks like<br \/>\nPicasso\u2019s \u201cGuernica\u201d in miniature. But I didn\u2019t know why, with his mother on the other side of enemy lines<\/p>\n<p>And a wife and kids seeking asylum in Japan, he would choose to imitate a work of art barely ten years old<br \/>\nAnd hanging in another meridian, until I realized it wasn\u2019t that at all: the locked limbs and heads flat<\/p>\n<p>Against the ground like boulders weren\u2019t brothers bent on killing each other in the hills around Madrid<br \/>\nOr, like a fling in The Mirror Room of a love motel, an orgy of synchronized lovers. The figures<\/p>\n<p>Are always the same two, replicated out of poverty and an intense desire for a lover\u2019s body,<br \/>\nUntil the room was populated with four wives, and an equal number of the artist to lie next to them.<\/p>\n<p>On a volcanic island, drunk and days away from death by starvation, how ecstatic it must have felt<br \/>\nTo be suddenly not alone, to have in his hands the other world of the aluminum cigarette foil.<\/p>\n<h6><a href=\"\/nashvillereview\/archives\/4418\">Craig Blais<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>The size of an island skyline postcard, Lee Joong Seop\u2019s \u201cFamily\u201d at the Leeum Museum in Seoul looks like Picasso\u2019s \u201cGuernica\u201d in miniature. But I didn\u2019t know why, with his mother on the other side of enemy lines And a wife and kids seeking asylum in Japan, he would choose to imitate a work of [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[14],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-18B","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4377"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=4377"}],"version-history":[{"count":1,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4377\/revisions"}],"predecessor-version":[{"id":10307,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4377\/revisions\/10307"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=4377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=4377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=4377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}