{"id":4199,"date":"2011-04-01T00:01:40","date_gmt":"2011-04-01T05:01:40","guid":{"rendered":"\/nashvillereview\/?p=4199"},"modified":"2015-02-17T11:13:49","modified_gmt":"2015-02-17T17:13:49","slug":"ode-to-the-flute","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/4199","title":{"rendered":"Ode to the Flute"},"content":{"rendered":"<p>A man sings<br \/>\nby opening his<br \/>\nmouth a man<br \/>\nsings by opening<br \/>\nhis lungs by<br \/>\nturning himself into air<br \/>\na flute can<br \/>\nbe made of a man<br \/>\nnothing is explained<br \/>\na flute lays<br \/>\non its side<br \/>\nand prays a wind<br \/>\nmight enter it<br \/>\nand make of it<br \/>\nat least<br \/>\na small final song<\/p>\n<h6><a href=\"\/nashvillereview\/archives\/3425\">Ross Gay<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>A man sings by opening his mouth a man sings by opening his lungs by turning himself into air a flute can be made of a man nothing is explained a flute lays on its side and prays a wind might enter it and make of it at least a small final song Ross Gay<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[9],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-15J","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4199"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=4199"}],"version-history":[{"count":1,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4199\/revisions"}],"predecessor-version":[{"id":10319,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/4199\/revisions\/10319"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=4199"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=4199"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=4199"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}