{"id":407,"date":"2010-04-01T00:01:23","date_gmt":"2010-04-01T05:01:23","guid":{"rendered":"\/nashvillereview\/?p=407"},"modified":"2015-03-24T13:17:47","modified_gmt":"2015-03-24T19:17:47","slug":"wild-goose-chase","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/407","title":{"rendered":"Dark Dark Dark"},"content":{"rendered":"<h6>The Hand<\/h6>\n<p><iframe width=\"740\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F197490649&#038;show_artwork=true&#038;maxwidth=740&#038;maxheight=1000\"><\/iframe><\/p>\n<h6><a title=\"Spring 2010 Contributors\" href=\"\/nashvillereview\/archives\/693\">Dark Dark Dark<\/a><\/h6>\n<p> is a six-piece chamber folk band whose members hail\u00a0from Minneapolis, New Orleans, and New York. Their latest release is\u00a0<em>Bright Bright Bright<\/em>, which was recorded in a converted church in\u00a0Duluth, MN. The band will spend most of 2010 touring the United States\u00a0and Europe.<\/p>\n<p>With its energetic accordian and haunting vocals, &#8220;The Hand&#8221; pollinates the liminal spaces between eerie and playful, klezmer music and chamber rock, bright and dark. <em>&#8211; Zachary Greenberg<\/em><strong> <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Hand Dark Dark Dark is a six-piece chamber folk band whose members hail\u00a0from Minneapolis, New Orleans, and New York. Their latest release is\u00a0Bright Bright Bright, which was recorded in a converted church in\u00a0Duluth, MN. The band will spend most of 2010 touring the United States\u00a0and Europe. With its energetic accordian and haunting vocals, &#8220;The [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[8],"tags":[32],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-6z","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/407"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=407"}],"version-history":[{"count":2,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/407\/revisions"}],"predecessor-version":[{"id":11511,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/407\/revisions\/11511"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=407"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=407"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}