{"id":393,"date":"2010-04-01T00:01:56","date_gmt":"2010-04-01T05:01:56","guid":{"rendered":"\/nashvillereview\/?p=393"},"modified":"2015-03-24T13:30:47","modified_gmt":"2015-03-24T19:30:47","slug":"modern-drift","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/393","title":{"rendered":"Efterklang"},"content":{"rendered":"<h6>Modern Drift<\/h6>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-393-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2010\/04\/19123453\/Efterklang-Modern-Drift.mp3?_=1\" \/><a href=\"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2010\/04\/19123453\/Efterklang-Modern-Drift.mp3\">https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2010\/04\/19123453\/Efterklang-Modern-Drift.mp3<\/a><\/audio>\n<h6><a title=\"Spring 2010 Contributors\" href=\"\/nashvillereview\/archives\/693\">Efterklang<\/a><\/h6>\n<p> is an indie post-rock band from Copenhagen, Denmark.\u00a0 Known for their expansive and cinematic sound, Efterklang incorporates layered vocals, trumpets, saxophones, trombones, drums, bass, piano, flute, violin, and electronics into their songs. \u00a0&#8220;Modern Drift&#8221; is featured on their third full-length album, <em>Magic Chairs<\/em>,\u00a0released this February on the British label 4AD.<\/p>\n<p><em>Efterklang<\/em> comes from the Danish word for &#8220;remembrance&#8221; or &#8220;reverberation,\u201d and the verses in \u201cModern Drift\u201d explore this territory between loss and reclamation:<\/p>\n<p><em>When the moment dies<br \/>\nand I come to you<br \/>\nwith a broken lie<br \/>\nthat I made for you<\/em><\/p>\n<p><em>The peace sounds frank<br \/>\nbut we\u2019re all afraid<br \/>\nit\u2019ll play your hands<br \/>\nlike a puppeteer<\/em><\/p>\n<p><em>And the dreams aren\u2019t true<br \/>\nbut we know it, we know that tune<br \/>\nthat the angel sang<br \/>\nto the hollow death<\/em><\/p>\n<p><em>&#8211; Zachary Greenberg<\/em><\/p>\n<p><em>Go <a title=\"Modern Drift\" href=\"\/nashvillereview\/archives\/393\/efterklang-modern-drift\">here<\/a><\/em><em> to<\/em><em> download &#8220;Modern Drift&#8221; <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Modern Drift Efterklang is an indie post-rock band from Copenhagen, Denmark.\u00a0 Known for their expansive and cinematic sound, Efterklang incorporates layered vocals, trumpets, saxophones, trombones, drums, bass, piano, flute, violin, and electronics into their songs. \u00a0&#8220;Modern Drift&#8221; is featured on their third full-length album, Magic Chairs,\u00a0released this February on the British label 4AD. Efterklang comes [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[8],"tags":[32],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-6l","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/393"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=393"}],"version-history":[{"count":3,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/393\/revisions"}],"predecessor-version":[{"id":11520,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/393\/revisions\/11520"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=393"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}