{"id":3871,"date":"2011-04-01T00:01:52","date_gmt":"2011-04-01T05:01:52","guid":{"rendered":"\/nashvillereview\/archives\/3871"},"modified":"2015-03-25T11:32:50","modified_gmt":"2015-03-25T17:32:50","slug":"3871","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/3871","title":{"rendered":"Pet Lions"},"content":{"rendered":"<h6>Thieves<\/h6>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-3871-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2011\/04\/19123403\/10-Thieves.mp3?_=1\" \/><a href=\"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2011\/04\/19123403\/10-Thieves.mp3\">https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2011\/04\/19123403\/10-Thieves.mp3<\/a><\/audio>\n<h6><a href=\"\/nashvillereview\/archives\/3425\">Pet Lions<\/a><\/h6>\n<p>\u201cThieves\u201d is the closing song on Chicago-based Pet Lions\u2019 impressive debut album\u00a0<em>Houses<\/em>. Evoking the nostalgia of Simon and Garfunkel with the post-rock organ of Arcade Fire, Pet Lions has crafted a fine composition here. \u201cThieves\u201d is hypnotic yet subtly-shifting, the arrangement of keys, guitar, and drums mirroring the mind of someone who will \u201cstay up all night \/ changing my mind\u201d<em>\u2014<\/em>or a thief, casing\u00a0<em>Houses. \u2013 Zachary Greenberg<\/em><\/p>\n<p><em>Go <a href=\"\/nashvillereview\/?attachment_id=4054\">here<\/a> to download &#8220;Thieves&#8221;<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thieves Pet Lions \u201cThieves\u201d is the closing song on Chicago-based Pet Lions\u2019 impressive debut album\u00a0Houses. Evoking the nostalgia of Simon and Garfunkel with the post-rock organ of Arcade Fire, Pet Lions has crafted a fine composition here. \u201cThieves\u201d is hypnotic yet subtly-shifting, the arrangement of keys, guitar, and drums mirroring the mind of someone who [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[9],"tags":[32],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s6Jypy-3871","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/3871"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=3871"}],"version-history":[{"count":2,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/3871\/revisions"}],"predecessor-version":[{"id":11587,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/3871\/revisions\/11587"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=3871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=3871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=3871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}