{"id":3427,"date":"2011-04-01T00:11:04","date_gmt":"2011-04-01T05:11:04","guid":{"rendered":"\/nashvillereview\/?p=3427"},"modified":"2015-06-12T15:44:07","modified_gmt":"2015-06-12T21:44:07","slug":"spring-2011","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/3427","title":{"rendered":"Spring 2011"},"content":{"rendered":"<h6><a title=\"Fiction\" href=\"\/nashvillereview\/pieces\/fiction\">FICTION<\/a><\/h6>\n<p><a title=\"The Right Feel\" href=\"\/nashvillereview\/archives\/3920\">The Right Feel<\/a> by Kenneth Calhoun<a title=\"The Right Feel\" href=\"\/nashvillereview\/archives\/3920\"><br \/>\nThe Lumberjack and the Sheep<\/a> by Chris Smith<\/p>\n<h6><a title=\"Poetry\" href=\"\/nashvillereview\/pieces\/poetry\">poetry<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/4193\">Grace<\/a> and <a href=\"\/nashvillereview\/archives\/4199\">Ode to the Flute<\/a> by Ross Gay<br \/>\n<a href=\"\/nashvillereview\/archives\/3697\">You Are Wanted in the Office<\/a> by Naomi Shihab Nye<br \/>\n<a href=\"\/nashvillereview\/archives\/2780\">What Are You Supposed To Do Anyway?<\/a> by Jack Ridl<br \/>\n<a href=\"\/nashvillereview\/archives\/3938\">I Find That We, As A People<\/a>\u00a0by Various Artists<br \/>\n<a href=\"\/nashvillereview\/archives\/3810\">Thinking of Anne Frank in the Middle of Winter<\/a>, <a href=\"\/nashvillereview\/archives\/3766\">Schistosoma mansoni<\/a>, and <a href=\"\/nashvillereview\/archives\/3801\">Pledge<\/a> by Roger Reeves<br \/>\n<a href=\"\/nashvillereview\/archives\/3711\">The Barbecued Man<\/a> and\u00a0<a href=\"\/nashvillereview\/archives\/3715\">A Brief History of the Future<\/a> by Jeffrey McDaniel<br \/>\n<a href=\"\/nashvillereview\/archives\/4210\">Photuris Lucicrescens<\/a> by Lois Marie Harrod<br \/>\n<a href=\"\/nashvillereview\/archives\/3948\">Bildungsroman<\/a> by Brittany Cavallaro<br \/>\n<a href=\"\/nashvillereview\/archives\/3784\">Langston Blue<\/a> by Jericho Brown<br \/>\n<a href=\"\/nashvillereview\/archives\/3957\">Salt Marshes<\/a> by Janee Baugher<br \/>\n<a href=\"\/nashvillereview\/archives\/3953\">September 1st, 1923<\/a> by Fani Papageorgiou<\/p>\n<h6><a title=\"Nonfiction\" href=\"\/nashvillereview\/pieces\/nonfiction\">nonfiction<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/3970\">The Miller&#8217;s Daughter<\/a> by Ellen O&#8217;Connell<\/p>\n<h6><a title=\"Comics\" href=\"\/nashvillereview\/pieces\/comics\">comics<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/3205\">Some People Are Trying To Read<\/a> by Mark Burrier<br \/>\n<a href=\"\/nashvillereview\/archives\/3589\">Big Questions<\/a> by Anders Nilsen<br \/>\n<a href=\"\/nashvillereview\/archives\/4027\">Goog Comix<\/a> by VGE<br \/>\n<a href=\"\/nashvillereview\/archives\/3450\">Libraries<\/a> by Amy Martin<\/p>\n<h6><a title=\"Jukebox\" href=\"\/nashvillereview\/pieces\/jukebox\">jukebox<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/3910\">Breaking Hallelujahs<\/a> and <a href=\"\/nashvillereview\/archives\/3875\">I Felt the Earth Spin Today<\/a> by Gerardo Tony Mena<br \/>\n<a href=\"\/nashvillereview\/archives\/3871\">Thieves<\/a> by Pet Lions<br \/>\n<a href=\"\/nashvillereview\/archives\/3978\">Old Blues<\/a> by Phil Drum<br \/>\n<a href=\"\/nashvillereview\/archives\/3827\">Asphalt Grass<\/a> by Factory Of Lights<br \/>\n<a href=\"\/nashvillereview\/archives\/3887\">Silly Bears<\/a> by Akron\/Family<br \/>\n<a href=\"\/nashvillereview\/archives\/4180\">Alone<\/a> by Noah Rothschild<br \/>\n<a href=\"\/nashvillereview\/archives\/3880\">New Growth<\/a> by Southeast Engine<br \/>\n<a href=\"\/nashvillereview\/archives\/3991\">Roy the Reading Rhino<\/a> by Good Gang Music Factory<\/p>\n<h6><a title=\"Film &amp; Dance\" href=\"\/nashvillereview\/pieces\/film-dance\">film &amp; dance<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/3498\">Prom Night<\/a> by Celia Rowlson-Hall<br \/>\n<a href=\"\/nashvillereview\/archives\/3814\">Build Night<\/a> by Tyler Stein<\/p>\n<h6><a title=\"Interviews\" href=\"\/nashvillereview\/interviews\">interviews<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/1902\">An Interview with Anders Nilsen<\/a> by Matthew Baker<br \/>\n<a href=\"\/nashvillereview\/archives\/3723\">An Interview with Molly Peacock<\/a> by Kendra DeColo<br \/>\n<a href=\"\/nashvillereview\/archives\/3728\">An Interview with Aimee Bender<\/a> by Claire Burgess<br \/>\n<a href=\"\/nashvillereview\/archives\/3788\">An Interview with Lydia Peelle<\/a> by Rebecca Bernard<br \/>\n<a href=\"\/nashvillereview\/archives\/3732\">An Interview with Jericho Brown<\/a> by Kendra DeColo<\/p>\n<h6><a title=\"Spring 2011 Contributors\" href=\"\/nashvillereview\/archives\/3425\">contributors<\/a><\/h6>\n<h6><a title=\"Spring 2011 Masthead\" href=\"\/nashvillereview\/archives\/3439\">maSTHEAD<\/a><\/h6>\n<h6>COVER ART BY <a title=\"Spring 2011 Contributors\" href=\"\/nashvillereview\/archives\/3425\">ANDERS NILSEN<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>FICTION The Right Feel by Kenneth Calhoun The Lumberjack and the Sheep by Chris Smith poetry Grace and Ode to the Flute by Ross Gay You Are Wanted in the Office by Naomi Shihab Nye What Are You Supposed To Do Anyway? by Jack Ridl I Find That We, As A People\u00a0by Various Artists Thinking [&hellip;]<\/p>\n","protected":false},"author":353,"featured_media":3965,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[9],"tags":[29],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2011\/03\/19123402\/Spring-2011.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-Th","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/3427"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/353"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=3427"}],"version-history":[{"count":5,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/3427\/revisions"}],"predecessor-version":[{"id":12068,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/3427\/revisions\/12068"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/3965"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=3427"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=3427"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=3427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}