{"id":3160,"date":"2010-12-01T00:01:03","date_gmt":"2010-12-01T05:01:03","guid":{"rendered":"\/nashvillereview\/?p=3160"},"modified":"2015-02-18T09:27:59","modified_gmt":"2015-02-18T15:27:59","slug":"a-genesis-text-for-larry-levis-who-died-alone","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/3160","title":{"rendered":"A Genesis Text for Larry Levis, Who Died Alone"},"content":{"rendered":"<p>It will always happen \u2013 the death of a friend<br \/>\nThat is the beginning of the end of everything<br \/>\nIn a large generation of sharing<br \/>\nWhat was still mistakened<br \/>\nFor the nearest middle of all things. So, by extension<\/p>\n<p>I am surely dead, along with David, Phil, Sam,<br \/>\nMarvin, and, surely, we all stand<br \/>\nIn a succession of etceteras<br \/>\nThat is the sentimental, inexhaustible<br \/>\nExhaustion of most men. It\u2019s like<\/p>\n<p>That rainy night of your twenty-eighth birthday.<br \/>\nA strip-joint stuck in the cornfields<br \/>\nOf Coralville, Iowa.<br \/>\nBig teddybear bikers and pig farmers who were<br \/>\nNot glad to see us: my long hair,<br \/>\nYour azure, Hawaiian blouse, and David<br \/>\n<span style=\"color: #ffffff\">_______<\/span>ordering gin \u2013 first in blank verse<br \/>\nAnd then in terza rima with an antique monocle.<\/p>\n<p>The exotic dancer with \u201chelicopter tits,\u201d or was<br \/>\nIt \u201ctits on stilts,\u201d was not coming \u2013 a flat on the interstate<br \/>\nFrom Des Moines; her breasts probably sore,<br \/>\nShe sat out the storm in the ditch<br \/>\nFeeding white mice to the boa constrictor<br \/>\nWho shared her billing.<\/p>\n<p>So you jumped up onto the jukebox and began<br \/>\nA flamenco dance \u2013 all the sharp serifs showing a mast,<br \/>\nAn erectness that was a happy middle finger<br \/>\nTo all those unhappy gentlemen<br \/>\nSeated there in the dark with us.<\/p>\n<p>I walked over to you, looked up \u2013<br \/>\nBegged you to get down before they all<br \/>\nJust simply kicked the shit out of us. You smiled, sweetly gone.<br \/>\nThe song, I think, was called \u201cPipeline\u201d<br \/>\nAnd the platform glass on the jukebox cracked.<\/p>\n<p>I said that if you didn\u2019t get down<br \/>\nI\u2019d kill you myself. You smiled again<br \/>\nWhile I aged. I said<br \/>\nThe elegy I would write for you would be riddled with clich\u00e9s!<br \/>\nYou giggled.<\/p>\n<p>So now you <em>are <\/em>dead. Surely, Larry, we\u2019ve always<br \/>\nThought the good should die young. And life is a bitch, man.<br \/>\nBut where was that woman and her snake when we needed them?<\/p>\n<h6><a href=\"\/nashvillereview\/archives\/2540\">Norman Dubie<\/a><\/h6>\n<p><span style=\"color: #ffffff\">_______<\/span><\/p>\n<p><em>From\u00a0<span style=\"font-style: normal\">The Mercy Seat: Collected and New Poems, 1967-2001<\/span>,\u00a0Copper Canyon Press, 2001<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It will always happen \u2013 the death of a friend That is the beginning of the end of everything In a large generation of sharing What was still mistakened For the nearest middle of all things. So, by extension I am surely dead, along with David, Phil, Sam, Marvin, and, surely, we all stand In [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[3],"tags":[],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-OY","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/3160"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=3160"}],"version-history":[{"count":1,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/3160\/revisions"}],"predecessor-version":[{"id":10341,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/3160\/revisions\/10341"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=3160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=3160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=3160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}