{"id":2504,"date":"2010-08-01T01:26:19","date_gmt":"2010-08-01T06:26:19","guid":{"rendered":"\/nashvillereview\/?p=2504"},"modified":"2015-06-12T15:45:48","modified_gmt":"2015-06-12T21:45:48","slug":"summer-2010","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/2504","title":{"rendered":"Summer 2010"},"content":{"rendered":"<h6 style=\"text-align: left\"><a title=\"Fiction\" href=\"\/nashvillereview\/pieces\/fiction\">Fiction<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/1991\">Twelve Steps<\/a> by Tasha Matsumoto<br \/>\n<a href=\"\/nashvillereview\/archives\/2003\">THE FIGURES<\/a>,\u00a0<a href=\"\/nashvillereview\/archives\/2009\">The Latest Standings<\/a>, and\u00a0<a href=\"\/nashvillereview\/archives\/2011\">Ghost Story<\/a> by J. David Stevens<\/p>\n<h6><a title=\"Poetry\" href=\"\/nashvillereview\/pieces\/poetry\">Poetry<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/2365\">A Little Less Kettledrum, Please<\/a> by D. A. Powell<br \/>\n<a href=\"\/nashvillereview\/archives\/2032\">[These diamond weeds are]<\/a>,\u00a0<a href=\"\/nashvillereview\/archives\/2035\">[Again by the windmills&#8217; wings]<\/a>,\u00a0<a href=\"\/nashvillereview\/archives\/2037\">Microscope<\/a>, and\u00a0<a href=\"\/nashvillereview\/archives\/2044\">Circle and Rectangle <\/a>by\u00a0Maya Sarishvili,\u00a0translated from Georgian by Timothy Kercher, Ani Kopaliani, and\u00a0Nene Giorgadze<br \/>\n<a href=\"\/nashvillereview\/archives\/2052\">Armando<\/a> by Yaul Perez-Stable Husni<br \/>\n<a href=\"\/nashvillereview\/archives\/2082\">November 21, 1937<\/a> by\u00a0C\u00e9sar Vallejo, translated by\u00a0Amy Demas Grunder<br \/>\n<a href=\"\/nashvillereview\/archives\/2055\">The Girl<\/a> and <a href=\"\/nashvillereview\/archives\/2058\">Memory<\/a> by Alice Neiley<\/p>\n<h6><a title=\"Nonfiction\" href=\"\/nashvillereview\/pieces\/nonfiction\">nonfiction<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/2090\">The Country We Lived In<\/a> by Natasha Lvovich<br \/>\n<a href=\"\/nashvillereview\/archives\/2424\">Little Roadie<\/a> by Chavawn Kelley<\/p>\n<h6><a title=\"Comics\" href=\"\/nashvillereview\/pieces\/comics\">Comics<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/1867\">Black Dog<\/a> by Nick St. John<br \/>\n<a href=\"\/nashvillereview\/archives\/2105\">The Joke Seller<\/a> by Jess Smart Smiley<br \/>\n<a href=\"\/nashvillereview\/archives\/1807\">Pregnant<\/a> by Keiler Roberts<\/p>\n<h6><a title=\"Jukebox\" href=\"\/nashvillereview\/pieces\/jukebox\">JUKEBOX<br \/>\n<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/1768\">Meek; Wild<\/a> by Brooke Waggoner<br \/>\n<a href=\"\/nashvillereview\/archives\/2393\">Little Emperor<\/a> by Steve Earle<br \/>\n<a href=\"\/nashvillereview\/archives\/2354\">MoneyGrabber<\/a> by Fitz &amp; The Tantrums<br \/>\n<a href=\"\/nashvillereview\/archives\/1738\">Let Me In<\/a> by El Perro Del Mar<br \/>\n<a href=\"\/nashvillereview\/archives\/2322\">There Ain&#8217;t No Easy Street<\/a> by Steep Canyon Rangers<br \/>\n<a href=\"\/nashvillereview\/archives\/2398\">Mama Don&#8217;t Know<\/a> by Margo Valiante<br \/>\n<a href=\"\/nashvillereview\/archives\/2394\">Inception<\/a> by Paul Epp<br \/>\n<a href=\"\/nashvillereview\/archives\/1754\">On My Own<\/a> by The Smart Brothers<\/p>\n<h6><a title=\"Film &amp; Dance\" href=\"\/nashvillereview\/pieces\/film-dance\">Film &amp; Dance<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/2337\">Elephant Medicine<\/a> by Julian Wayser<\/p>\n<h6><a title=\"Interviews\" href=\"\/nashvillereview\/interviews\">Interviews<\/a><\/h6>\n<p><a href=\"\/nashvillereview\/archives\/2360\">An Interview with D. A. Powell<\/a> by Andrew Rahal<br \/>\n<a href=\"\/nashvillereview\/archives\/1958\">An Interview with Glenn Patterson<\/a> by Claire Burgess<br \/>\n<a href=\"\/nashvillereview\/archives\/2418\">An Interview with Steep Canyon Rangers<\/a> by Zachary Greenberg<br \/>\n<a href=\"\/nashvillereview\/archives\/1911\">An Interview with Jaime Zollars<\/a> by Matthew Baker<\/p>\n<h6><a href=\"\/nashvillereview\/archives\/1771\">Summer 2010 Contributors<\/a><\/h6>\n<h6><a href=\"\/nashvillereview\/archives\/1846\">Masthead<\/a><\/h6>\n<h6>Cover Art by <a title=\"Summer 2010 Contributors\" href=\"\/nashvillereview\/archives\/1771\">Jaime Zollars<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>Fiction Twelve Steps by Tasha Matsumoto THE FIGURES,\u00a0The Latest Standings, and\u00a0Ghost Story by J. David Stevens Poetry A Little Less Kettledrum, Please by D. A. Powell [These diamond weeds are],\u00a0[Again by the windmills&#8217; wings],\u00a0Microscope, and\u00a0Circle and Rectangle by\u00a0Maya Sarishvili,\u00a0translated from Georgian by Timothy Kercher, Ani Kopaliani, and\u00a0Nene Giorgadze Armando by Yaul Perez-Stable Husni November 21, [&hellip;]<\/p>\n","protected":false},"author":353,"featured_media":2069,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[13],"tags":[29],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2010\/07\/19123442\/Summer-2010.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-Eo","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/2504"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/353"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=2504"}],"version-history":[{"count":8,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/2504\/revisions"}],"predecessor-version":[{"id":12070,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/2504\/revisions\/12070"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/2069"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=2504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=2504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=2504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}