{"id":2337,"date":"2010-08-01T00:03:52","date_gmt":"2010-08-01T05:03:52","guid":{"rendered":"\/nashvillereview\/?p=2337"},"modified":"2015-03-25T19:16:24","modified_gmt":"2015-03-26T01:16:24","slug":"elephant-medicine","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/2337","title":{"rendered":"Elephant Medicine"},"content":{"rendered":"<div class=\"embed-vimeo\" style=\"text-align: center;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/13609397\" width=\"740\" height=\"416\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div>\n<p>A re-imagining of the lives of the 14 Dalai Lamas of Tibet. An absurd, epic and poignant entry on the most peaceful culture in the world. A Taiwanese woman with a raven in her purse co-stars as the 3rd Dalai Lama. The 14th Dalai Lama directs a Nike commerical for charity. Buddhist traditions and notions are explored indirectly through a series of vignettes shot across Europe and North America.<\/p>\n<h6><a href=\"http:\/\/http:\/\/\/nashvillereview\/archives\/1771\">Julian Wayser<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>A re-imagining of the lives of the 14 Dalai Lamas of Tibet. An absurd, epic and poignant entry on the most peaceful culture in the world. A Taiwanese woman with a raven in her purse co-stars as the 3rd Dalai Lama. The 14th Dalai Lama directs a Nike commerical for charity. Buddhist traditions and notions [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[13],"tags":[33],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-BH","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/2337"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=2337"}],"version-history":[{"count":2,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/2337\/revisions"}],"predecessor-version":[{"id":11737,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/2337\/revisions\/11737"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=2337"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=2337"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=2337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}