{"id":2035,"date":"2010-08-01T00:02:28","date_gmt":"2010-08-01T05:02:28","guid":{"rendered":"\/nashvillereview\/?p=2035"},"modified":"2015-02-19T13:53:53","modified_gmt":"2015-02-19T19:53:53","slug":"again-by-the-windmills-wings","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/2035","title":{"rendered":"[Again by the windmills\u2019 wings]"},"content":{"rendered":"

Again by the windmills\u2019 wings
\nour villages move closer to each other,
\nas though a straightening of double vision\u2014
\nyour house and my house overlapping,
\nyour silence \u2014 a finger on my lips.
\nThe hammock weave
\nslashes shoulders in diamond shapes.
\nA midday nap\u2026<\/p>\n

You can hear the wasps on the road.
\nEverything polished like a mirror
\nwith a tranquil lie must be washed again.
\nIf only the water will remove its sugary essence
\nand cleanse us\u2026<\/p>\n

_______________<\/span><\/p>\n

[<\/strong>\u10d8\u10e1\u10d4\u10d5<\/strong> <\/strong>\u10e5\u10d0\u10e0\u10d8\u10e1<\/strong> <\/strong>\u10ec\u10d8\u10e1\u10e5\u10d5\u10d8\u10da\u10d7\u10d0<\/strong> <\/strong>\u10e4\u10e0\u10d7\u10d4\u10d1\u10d8\u10d7<\/strong>]<\/strong><\/strong><\/h3>\n

_______________<\/span><\/p>\n

\u10d8\u10e1\u10d4\u10d5 \u10e5\u10d0\u10e0\u10d8\u10e1 \u10ec\u10d8\u10e1\u10e5\u10d5\u10d8\u10da\u10d7\u10d0 \u10e4\u10e0\u10d7\u10d4\u10d1\u10d8\u10d7
\n\u10e3\u10d0\u10ee\u10da\u10dd\u10d5\u10d3\u10d4\u10d1\u10d8\u10d0\u10dc \u10e9\u10d5\u10d4\u10dc\u10d8 \u10e1\u10dd\u10e4\u10da\u10d4\u10d1\u10d8 \u10d4\u10e0\u10d7\u10db\u10d0\u10dc\u10d4\u10d7\u10e1 _
\n\u10d7\u10d8\u10d7\u10e5\u10dd\u10e1 \u10d2\u10d0\u10dd\u10e0\u10d4\u10d1\u10e3\u10da\u10d8 \u10db\u10d6\u10d4\u10e0\u10d0 \u10e9\u10d0\u10d3\u10d2\u10d0 _
\n\u10e9\u10d4\u10db\u10d8 \u10e1\u10d0\u10ee\u10da\u10d8 \u10e8\u10d4\u10dc\u10e1 \u10e1\u10d0\u10ee\u10da\u10e1 \u10d4\u10db\u10d7\u10ee\u10d5\u10d4\u10d5\u10d0,
\n\u10e8\u10e3\u10d0\u10d3\u10e6\u10d4 _ \u10e8\u10e3\u10d0\u10d3\u10e6\u10d4\u10e1,
\n\u10f0\u10d0\u10d4\u10e0\u10d8 _ \u10f0\u10d0\u10d4\u10e0\u10e1…
\n\u10f0\u10d0\u10db\u10d0\u10d9\u10d8\u10e1 \u10d7\u10dd\u10d9\u10d4\u10d1\u10d8
\n\u10d1\u10d4\u10ed\u10d4\u10d1\u10e1 \u10e0\u10dd\u10db\u10d1\u10d4\u10d1\u10d0\u10d3 \u10d2\u10d5\u10d8\u10e1\u10d4\u10e0\u10d0\u10d5\u10d4\u10dc.
\n\u10eb\u10d8\u10da\u10d8.
\n\u10d8\u10e1\u10db\u10d8\u10e1, \u10d9\u10e0\u10d0\u10d6\u10d0\u10dc\u10d4\u10d1\u10d8 \u10e0\u10dd\u10db \u10d2\u10d6\u10d0\u10e8\u10d8 \u10d0\u10e0\u10d8\u10d0\u10dc.
\n\u10d2\u10d0\u10d3\u10d0\u10e1\u10d0\u10e0\u10d4\u10ea\u10ee\u10d8\u10d0 \u10e7\u10d5\u10d4\u10da\u10d0\u10e4\u10d4\u10e0\u10d8,
\n\u10e0\u10d0\u10ea \u10db\u10e8\u10d5\u10d8\u10d3\u10d8 \u10e2\u10e7\u10e3\u10d8\u10da\u10d8\u10d7\u10d0\u10d0 \u10d2\u10d0\u10d3\u10d0\u10e1\u10d0\u10e0\u10d9\u10e3\u10da\u10d8.
\n\u10db\u10ee\u10dd\u10da\u10dd\u10d3 \u10ec\u10e7\u10d0\u10da\u10d8 \u10d7\u10e3 \u10d2\u10d0\u10d8\u10e2\u10d0\u10dc\u10e1 \u10e8\u10d0\u10e5\u10d0\u10e0\u10e1
\n\u10d3\u10d0 \u10d3\u10d0\u10d2\u10d5\u10ec\u10db\u10d4\u10dc\u10d3\u10e1…<\/p>\n

\u10d2\u10d5\u10d4\u10e0\u10d3\u10d8\u10d2\u10d5\u10d4\u10e0\u10d3 \u10d5\u10e1\u10ee\u10d4\u10d3\u10d5\u10d0\u10e0\u10d7.
\n\u10d6\u10d4\u10db\u10dd\u10d7 \u10d2\u10d0\u10ee\u10d4\u10d3\u10d4\u10d1.
\n\u10d8\u10e1\u10d4\u10d5 \u10e4\u10e0\u10d4\u10dc\u10d0 _
\n\u10e9\u10d8\u10e2\u10d4\u10d1\u10d8 \u10d5\u10d4\u10e0\u10d0\u10e4\u10d4\u10e0\u10e1 \u10db\u10dd\u10d8\u10e4\u10d8\u10e5\u10e0\u10d4\u10d1\u10d4\u10dc
\n\u10d0\u10db\u10d0\u10d6\u10d4 \u10d0\u10ee\u10d0\u10da\u10e1…<\/p>\n

Maya Sarishvili<\/a> <\/p>\n

_______________<\/span>
\ntranslated from the Georgian by Timothy Kercher and Nene Giorgadze<\/a>
\n<\/h6>\n

Read the <\/em>translator’s note<\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Again by the windmills\u2019 wings our villages move closer to each other, as though a straightening of double vision\u2014 your house and my house overlapping, your silence \u2014 a finger on my lips. The hammock weave slashes shoulders in diamond shapes. A midday nap\u2026 You can hear the wasps on the road. Everything polished like […]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[13],"tags":[25,36],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-wP","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/2035"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=2035"}],"version-history":[{"count":6,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/2035\/revisions"}],"predecessor-version":[{"id":10359,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/2035\/revisions\/10359"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=2035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=2035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=2035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}