{"id":19707,"date":"2026-01-07T14:33:53","date_gmt":"2026-01-07T20:33:53","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=19707"},"modified":"2026-01-07T14:33:53","modified_gmt":"2026-01-07T20:33:53","slug":"nr-44-2","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19707","title":{"rendered":"NR 44"},"content":{"rendered":"<h6>POETRY<\/h6>\n<p><a href=\"https:\/\/wp.me\/p6Jypy-53L\">as the world turns <\/a>by Topher Allen<br \/>\n<a href=\"https:\/\/wp.me\/p6Jypy-542\">A Town Called Clymer<\/a> by Rose Cobb<br \/>\n<a href=\"https:\/\/wp.me\/p6Jypy-53v\">Half Full <\/a>by Ira Goga<br \/>\n<a href=\"https:\/\/wp.me\/p6Jypy-53g\">4-4-4\u00a0<\/a>by Chris Hoshnic<br \/>\n<a href=\"https:\/\/wp.me\/p6Jypy-53H\">What sun can reveal [in creek pools] if you let them <\/a>by Frank G. Karioris<br \/>\n<a href=\"https:\/\/wp.me\/p6Jypy-53Z\">Osage Hills State Park<\/a> by Ruby Hansen Murray<br \/>\n<a href=\"https:\/\/wp.me\/s6Jypy-postcard\">Postcard from La Mer Beach, DXB<\/a> by Aiman Tahir Khan<br \/>\n<a href=\"https:\/\/wp.me\/p6Jypy-54z\">BONE CONFESSIONS<\/a>\u00a0by Emma Erlbacher<br \/>\n<a href=\"https:\/\/wp.me\/p6Jypy-53C\">Big Arrival <\/a>by Laura Romeyn<br \/>\n<a href=\"https:\/\/wp.me\/p6Jypy-53W\">Blue Foreskin<\/a>\u00a0by Conan Tan<\/p>\n<h6>FICTION<\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19355\">Drinkers<\/a> by Jason R. Chun<\/p>\n<h6>Translation<\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19367\">Gray on Gray<\/a> by Maja Solar (translated by Rebecca Duras)<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19372\">Envy \/ Side A, Side B<\/a> by Ronny Someck (translated by Hana Inbar and Robert Manaster)<\/p>\n<h6>MUSIC<\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19536\">Cosmic Notes on Reclaiming the Corsage: An Interview with Nordista Freeze<\/a><br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19540\">Sawed-Off &amp; Turned-Up: an Interview with Pump Action<\/a><\/p>\n<h6>FEATURED ARTIST<\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19410\">Images<\/a> by Ann-Marie Brown<\/p>\n<h6>Comics<\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19387\">Eclipse(d)<\/a> by Jennifer Murvin<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19361\">CONTRIBUTORS<\/a><\/h6>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/contact\/staff\">MASTHEAD<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>POETRY as the world turns by Topher Allen A Town Called Clymer by Rose Cobb Half Full by Ira Goga 4-4-4\u00a0by Chris Hoshnic What sun can reveal [in creek pools] if you let them by Frank G. Karioris Osage Hills State Park by Ruby Hansen Murray Postcard from La Mer Beach, DXB by Aiman Tahir [&hellip;]<\/p>\n","protected":false},"author":2331,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[1],"tags":[],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-57R","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19707"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2331"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=19707"}],"version-history":[{"count":1,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19707\/revisions"}],"predecessor-version":[{"id":19708,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19707\/revisions\/19708"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=19707"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=19707"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=19707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}