{"id":19636,"date":"2026-01-07T14:27:33","date_gmt":"2026-01-07T20:27:33","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=19636"},"modified":"2026-01-09T10:05:49","modified_gmt":"2026-01-09T16:05:49","slug":"nr-45","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19636","title":{"rendered":"NR 45"},"content":{"rendered":"<h1 style=\"text-align: center\">KINK + CULTURE<\/h1>\n<p>&nbsp;<\/p>\n<h6><a href=\"https:\/\/wp.me\/p6Jypy-58l\">EDITOR&#8217;S NOTE<\/a><\/h6>\n<h6>poetry<\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19632\">IF I MISTAKE A MAN FOR A GOD, i<\/a> by Sandra Dolores G\u00f3mez Amador<\/p>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19634\">This is a schematic of a hot engine.<\/a>, <a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19654\">Recipe for Infinite Jello<\/a> by Vera Blossom<\/p>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19657\">Bugs Bunny puts on Panty Hose<\/a>, <a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19660\">Hawaa after eating forbidden fruit on the corniche turns brat<\/a> by Yasmine Roukiaya<\/p>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19663\">I&#8217;m not a prophet, I could tell by his moan it was the first time he&#8217;d bottomed<\/a> by Daniella Toosie-Watson<\/p>\n<p>&nbsp;<\/p>\n<h6>fiction<\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19691\">A Circus of Human Oddities<\/a>, <a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19697\">Zombie Movie<\/a> by Lauren Hruska<\/p>\n<p>&nbsp;<\/p>\n<h6>translation<\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19666\">a river inside my house<\/a> by Debangana Banerjee (translated by Vincent A. Cellucci)<\/p>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19668\">Sellout<\/a> by L\u00e9on-Gontran Damas\u00a0(translated by Angela Tharpe)<\/p>\n<p>&nbsp;<\/p>\n<h6>nonfiction<\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19687\">Shitmaker<\/a> by Paul Sullivan<\/p>\n<p>&nbsp;<\/p>\n<h6>Interview<\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19699\">Between Refuge and Ruin in Lydi Conklin&#8217;s<em> Songs of No Provenance<\/em><\/a> by Kanchi Sharma<\/p>\n<p>&nbsp;<\/p>\n<h6>featured artist<\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19684\">Sweetheart<\/a> by Diego Medina<\/p>\n<p>&nbsp;<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19638\">contributors<\/a><\/h6>\n<h6><\/h6>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/contact\/staff\">MASTHEAD<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>KINK + CULTURE &nbsp; EDITOR&#8217;S NOTE poetry IF I MISTAKE A MAN FOR A GOD, i by Sandra Dolores G\u00f3mez Amador This is a schematic of a hot engine., Recipe for Infinite Jello by Vera Blossom Bugs Bunny puts on Panty Hose, Hawaa after eating forbidden fruit on the corniche turns brat by Yasmine Roukiaya [&hellip;]<\/p>\n","protected":false},"author":2331,"featured_media":19628,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[1],"tags":[],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2025\/12\/18171244\/IMG_8636-Edited-1.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-56I","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19636"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2331"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=19636"}],"version-history":[{"count":19,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19636\/revisions"}],"predecessor-version":[{"id":19746,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19636\/revisions\/19746"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/19628"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=19636"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=19636"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=19636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}