{"id":19274,"date":"2024-11-01T15:01:01","date_gmt":"2024-11-01T20:01:01","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=19274"},"modified":"2024-11-02T14:40:18","modified_gmt":"2024-11-02T19:40:18","slug":"balm-for-a-belonging","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19274","title":{"rendered":"BALM FOR A BELONGING"},"content":{"rendered":"<p>What stardust lies beneath mud<br \/>\nand solitude in the mangroves. What sings us<br \/>\nsweet nothings to the stiffness we hide<br \/>\nin our bodies? There\u2019s a longing<\/p>\n<p>for the maps of our unpretty. Touching<br \/>\nthe crevices for regions marked along<br \/>\nin silence after the violence strips a glow<br \/>\nfrom our forgotten smiles. Do you remember<\/p>\n<p>the last time you were mouthed? There<br \/>\nlies an absence between fervor and acceptance<br \/>\nthe way how my mother holds my father<br \/>\nmangled mouth the first time the shrapnel<\/p>\n<p>shatters his jaw after a robbery. The first time<br \/>\nhis callous mouth is a jagged language<br \/>\nfor her lips only. The first time she plants<br \/>\nher hands against the scar tissue<\/p>\n<p>after surgery. The first time I watch him<br \/>\nafter therapy, stretch for a vowel. O\u2019 his mouth<br \/>\nshapes my mother\u2019s name for comfort.<br \/>\nHold still now. I know where the pain is.<\/p>\n<p>Let me rub it here. Let me rub it here.<br \/>\nI watch my mother find harmony<br \/>\nlodged where the bullet dwells<br \/>\nin his bones. O\u2019 for how long<\/p>\n<p>I crave for a similar touch<br \/>\nbetween shimmer and umbra<br \/>\nwhen my charmless days<br \/>\nhave wilted away<\/p>\n<p>Hold still now.<br \/>\nLet me rub.<br \/>\nLet me rub it.<br \/>\nHere.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19115\">Rodrick Minor<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>What stardust lies beneath mud and solitude in the mangroves. What sings us sweet nothings to the stiffness we hide in our bodies? There\u2019s a longing for the maps of our unpretty. Touching the crevices for regions marked along in silence after the violence strips a glow from our forgotten smiles. Do you remember the [&hellip;]<\/p>\n","protected":false},"author":2317,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[82,1],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-50S","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19274"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2317"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=19274"}],"version-history":[{"count":1,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19274\/revisions"}],"predecessor-version":[{"id":19275,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19274\/revisions\/19275"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=19274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=19274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=19274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}