{"id":19267,"date":"2024-11-01T14:44:48","date_gmt":"2024-11-01T19:44:48","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=19267"},"modified":"2024-11-02T14:40:46","modified_gmt":"2024-11-02T19:40:46","slug":"dreamscapes-from-the-atlas-of-coming-and-going","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19267","title":{"rendered":"Dreamscapes from the Atlas of Coming and Going"},"content":{"rendered":"<p style=\"text-align: center\">V<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\">Could pass for any forest, were it not for each tree\u2019s plaque and hundred-year lease. Hello, orchard dream that shadows me into a foreshadowing. Always in mist, a mother\u2019s apron loaded with fruit\u2013the dates and places on file, the thrift shop\u2019s bronze baby shoes, the intimate stash nobody finds. Morning tries explaining the dream as a blur of tree farm along I-40. My friend says her mother\u2019s cremains feed an oak which will accommodate the whole family and I\u2019m back in the orchard. Wet grass without footprints. Hello, peripheral ghost. Mom didn\u2019t talk about what becomes of us. But she wrote down some recipes in a wide-ruled notebook; her fine script read in her voice, the ingredients of mist.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19115\">L.A. Weeks<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>V &nbsp; Could pass for any forest, were it not for each tree\u2019s plaque and hundred-year lease. Hello, orchard dream that shadows me into a foreshadowing. Always in mist, a mother\u2019s apron loaded with fruit\u2013the dates and places on file, the thrift shop\u2019s bronze baby shoes, the intimate stash nobody finds. Morning tries explaining the [&hellip;]<\/p>\n","protected":false},"author":2317,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[82,1],"tags":[25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-50L","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19267"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2317"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=19267"}],"version-history":[{"count":1,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19267\/revisions"}],"predecessor-version":[{"id":19269,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19267\/revisions\/19269"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=19267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=19267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=19267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}