{"id":19187,"date":"2024-10-30T14:29:49","date_gmt":"2024-10-30T19:29:49","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=19187"},"modified":"2024-11-02T14:38:43","modified_gmt":"2024-11-02T19:38:43","slug":"the-graveyard","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19187","title":{"rendered":"The Graveyard"},"content":{"rendered":"

A poem by Ye Hui translated from the Chinese by Dong Li<\/em><\/p>\n

 <\/p>\n

\u5893\u5730\u00a0<\/strong>\u00a0<\/span><\/p>\n

\u00a0\u00a0<\/span><\/p>\n

\u4ece\u6751\u4e0a\u770b\u00a0<\/span><\/p>\n

\u5893\u5730\uff0c\u5b89\u9759\u7070\u6697 <\/span><\/p>\n

\u50cf\u524d\u671d\u00a0<\/span><\/p>\n

 <\/p>\n

\u53ea\u6709\u523a\u8393\u8273\u4e3d\u00a0<\/span><\/p>\n

\u4eff\u4f5b\u6b7b\u53bb\u7684\u5ad4\u5983\u00a0<\/span><\/p>\n

 <\/p>\n

\u65cb\u98ce\u88f9\u7740\u9ec4\u53f6\u00a0<\/span><\/p>\n

\u4e00\u6bb5\u5d29\u584c\u7684\u00a0<\/span><\/p>\n

\u5c81\u6708\uff0c\u5728\u6880\u6811\u4e0b\u00a0<\/span><\/p>\n

 <\/p>\n

\u6709\u8d8a\u6765\u8d8a\u00a0<\/span><\/p>\n

\u6df1\u6c89\u7684\u6050\u60e7\uff0c<\/span>\u53f2\u5b98<\/span><\/p>\n

\u865a\u5f31\uff0c\u534a\u8eba\u7740\u00a0<\/span><\/p>\n

 <\/p>\n

\u4e00\u53ea\u4e4c\u9e26\u00a0<\/span><\/p>\n

\u505c\u5728\u679d\u5934\uff0c\u5b83\u4e0d\u77e5\u9053 <\/span><\/p>\n

\u5373\u4f7f\u7ec8\u5176\u4e00\u751f\u00a0<\/span><\/p>\n

\u68fa\u6728\u4e5f\u4e0d\u4f1a\u6253\u5f00\uff0c\u00a0<\/span><\/p>\n

 <\/p>\n

\u547d\u8fd0\u00a0<\/span><\/p>\n

\u4e0d\u4f1a\u88ab\u63ed\u793a\u00a0<\/span><\/p>\n

 <\/p>\n

\u800c\u591c\u91cc\u00a0<\/span><\/p>\n

\u767d\u8272\u8537\u8587\u4f9d\u7136\u5f00\u653e <\/span><\/p>\n

\u88ab\u4e00\u675f\u51b7\u6de1\u7684\u5149 <\/span><\/p>\n

\u6c38\u8fdc\u7167\u4eae<\/span><\/p>\n

 <\/p>\n

***<\/p>\n

 <\/p>\n

The Graveyard<\/em>\u00a0<\/b><\/p>\n

Seen from the village\u00a0\u00a0<\/span><\/p>\n

The graveyard, quiet and gray\u00a0\u00a0<\/span><\/p>\n

Looks like a past dynasty\u00a0\u00a0<\/span><\/p>\n

 <\/p>\n

Only the thorn berries dazzle\u00a0\u00a0<\/span><\/p>\n

Like dead concubines\u00a0\u00a0<\/span><\/p>\n

 <\/p>\n

A whirlwind wraps itself around yellow <\/span>leaves<\/span><\/p>\n

A period of days and nights\u00a0<\/span><\/p>\n

Collapsed, under the trophy tree\u00a0<\/span><\/p>\n

 <\/p>\n

A terror grows\u00a0<\/span><\/p>\n

Deeper and deeper, a historian\u00a0<\/span><\/p>\n

Ailing, half lying\u00a0<\/span><\/p>\n

 <\/p>\n

A crow\u00a0<\/span><\/p>\n

Stops on the branch, which doesn\u2019t <\/span>know<\/span><\/p>\n

Even with a whole life\u00a0<\/span><\/p>\n

The casket will not open\u00a0<\/span><\/p>\n

 <\/p>\n

The fate\u00a0<\/span><\/p>\n

Will not be revealed\u00a0\u00a0<\/span><\/p>\n

 <\/p>\n

And at night\u00a0<\/span><\/p>\n

White roses bloom as usual\u00a0<\/span><\/p>\n

Forever illuminated\u00a0\u00a0<\/span><\/p>\n

By a ray of indifferent light\u00a0<\/span><\/p>\n

<\/h6>\n
Ye Hui<\/a><\/h6>\n
Dong Li<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"

A poem by Ye Hui translated from the Chinese by Dong Li   \u5893\u5730\u00a0\u00a0 \u00a0\u00a0 \u4ece\u6751\u4e0a\u770b\u00a0 \u5893\u5730\uff0c\u5b89\u9759\u7070\u6697 \u50cf\u524d\u671d\u00a0   \u53ea\u6709\u523a\u8393\u8273\u4e3d\u00a0 \u4eff\u4f5b\u6b7b\u53bb\u7684\u5ad4\u5983\u00a0   \u65cb\u98ce\u88f9\u7740\u9ec4\u53f6\u00a0 \u4e00\u6bb5\u5d29\u584c\u7684\u00a0 \u5c81\u6708\uff0c\u5728\u6880\u6811\u4e0b\u00a0   \u6709\u8d8a\u6765\u8d8a\u00a0 \u6df1\u6c89\u7684\u6050\u60e7\uff0c\u53f2\u5b98 \u865a\u5f31\uff0c\u534a\u8eba\u7740\u00a0   \u4e00\u53ea\u4e4c\u9e26\u00a0 \u505c\u5728\u679d\u5934\uff0c\u5b83\u4e0d\u77e5\u9053 \u5373\u4f7f\u7ec8\u5176\u4e00\u751f\u00a0 \u68fa\u6728\u4e5f\u4e0d\u4f1a\u6253\u5f00\uff0c\u00a0   \u547d\u8fd0\u00a0 \u4e0d\u4f1a\u88ab\u63ed\u793a\u00a0   \u800c\u591c\u91cc\u00a0 \u767d\u8272\u8537\u8587\u4f9d\u7136\u5f00\u653e \u88ab\u4e00\u675f\u51b7\u6de1\u7684\u5149 \u6c38\u8fdc\u7167\u4eae   ***   The Graveyard\u00a0 Seen from the village\u00a0\u00a0 The graveyard, quiet and […]<\/p>\n","protected":false},"author":2318,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[82],"tags":[36],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-4Zt","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19187"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2318"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=19187"}],"version-history":[{"count":4,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19187\/revisions"}],"predecessor-version":[{"id":19300,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19187\/revisions\/19300"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=19187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=19187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=19187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}