{"id":19112,"date":"2024-10-16T14:51:18","date_gmt":"2024-10-16T19:51:18","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=19112"},"modified":"2024-11-20T12:47:15","modified_gmt":"2024-11-20T18:47:15","slug":"nr-43","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19112","title":{"rendered":"NR 43"},"content":{"rendered":"<h6>POETRY<\/h6>\n<p><a href=\"https:\/\/wp.me\/p6Jypy-50Y\">Spinnerets<\/a> by dion banville<br \/>\n<a href=\"https:\/\/wp.me\/s6Jypy-study\">Study<\/a> &amp; <a href=\"https:\/\/wp.me\/p6Jypy-50O\">Wisteria Shoulder<\/a> by Callan Latham<br \/>\n<a href=\"https:\/\/wp.me\/p6Jypy-510\">Amyl Nitrite Abecedarian<\/a> &amp; <a href=\"https:\/\/wp.me\/s6Jypy-power\">POWER<\/a> by <span data-sheets-root=\"1\">Zack Lesmeister<\/span><span data-sheets-root=\"1\"><br \/>\n<\/span><a href=\"https:\/\/wp.me\/p6Jypy-50S\">Balm for a Belonging<\/a> &amp; <a href=\"https:\/\/wp.me\/p6Jypy-50U\">How I Learn to Garden<\/a> by <span data-sheets-root=\"1\">Rodrick Minor<\/span><span data-sheets-root=\"1\"><br \/>\n<\/span><span data-sheets-root=\"1\"><a href=\"https:\/\/wp.me\/p6Jypy-507\">Ode to OUD<\/a> by Migwi Mwangi<br \/>\n<\/span><span data-sheets-root=\"1\"><a href=\"https:\/\/wp.me\/p6Jypy-50L\">Dreamscapes from the Atlas of Coming and Going V<\/a> by L.A. Weeks<\/span><\/p>\n<h6>FICTION<\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19170\">Three-Eyed Calf<\/a> by Olivia Bell<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19118\">Illinois<\/a> by Desmond Everest Fuller<\/p>\n<h6>NON-FICTION<\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19177\">Greetings from Tallahassee<\/a> by Emily Alice Katz<\/p>\n<h6>Translation<\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19187\">The Graveyard<\/a> by Ye Hui (translated by Dong Li)<br \/>\n<a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19191\">Odesa Accent<\/a> by Galina Itskovich (translated by Ian Ross Singleton)<\/p>\n<h6>MUSIC<\/h6>\n<p><a href=\"https:\/\/wp.me\/p6Jypy-50r\">Brand New Wax, Brand New Sound: An Interview with Dom Flemons, The American Songster<\/a><br \/>\n<a href=\"https:\/\/wp.me\/p6Jypy-50a\">Beer &amp; Loafing at Dee&#8217;s Country Cocktail Lounge<\/a><\/p>\n<h6>FEATURED ARTIST<\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19196\">Brett Stout<\/a><\/p>\n<h6>Comics<\/h6>\n<p><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19126\">The Liar<\/a> by Hal Flower<\/p>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/19115\">CONTRIBUTORS<\/a><\/h6>\n<h6><a href=\"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/contact\/staff\">MASTHEAD<\/a><\/h6>\n<h6><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>POETRY Spinnerets by dion banville Study &amp; Wisteria Shoulder by Callan Latham Amyl Nitrite Abecedarian &amp; POWER by Zack Lesmeister Balm for a Belonging &amp; How I Learn to Garden by Rodrick Minor Ode to OUD by Migwi Mwangi Dreamscapes from the Atlas of Coming and Going V by L.A. Weeks FICTION Three-Eyed Calf by [&hellip;]<\/p>\n","protected":false},"author":2291,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[82],"tags":[37],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-4Yg","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19112"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2291"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=19112"}],"version-history":[{"count":25,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19112\/revisions"}],"predecessor-version":[{"id":19341,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/19112\/revisions\/19341"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=19112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=19112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=19112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}