Brahmanda<\/a> by Mihir Bellamkonda Notes<\/a> and Delirium<\/a> by David Joez Villaverde<\/p>\n Extranjera<\/a> by Taylor De La Pe\u00f1a What Remains<\/a> by Esumi Fujimoto<\/p>\n The Lark<\/a> by Grzegorz Bia\u0142kowski (translated by Danuta E. Kosk-Kosicka)<\/p>\n Silence Shapes What is Said<\/a>: An Interview with Claire Jim\u00e9nez Imaginary Portraits: Icons of War<\/a> by Tony Brinkley<\/p>\n Five Picto-Poems<\/a> by Isaac George Lauritsen<\/p>\n POETRY Brahmanda by Mihir Bellamkonda Heading Home Off the Cumberland by H.M. Cotton So What if I Was Born Wanting Both by Melissa Crowe On Silence, Intentionality, and Ethical Listening by Chelsea Dingman Leaving the Sky by Andrew Hemmert I Build My Nest With What The Bulldozer Pushes by Kristina Martino Pomegranate by Betsy Mitchell […]<\/p>\n","protected":false},"author":2291,"featured_media":18976,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[81,1],"tags":[],"jetpack_featured_media_url":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-content\/uploads\/sites\/15\/2024\/04\/Picture9-e1714062331324.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-4Uq","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/18874"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2291"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=18874"}],"version-history":[{"count":29,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/18874\/revisions"}],"predecessor-version":[{"id":19089,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/18874\/revisions\/19089"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/18976"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=18874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=18874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=18874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nHeading Home Off the Cumberland<\/a> by H.M. Cotton
\nSo What if I Was Born Wanting Both<\/a> by Melissa Crowe
\nOn Silence, Intentionality, and Ethical Listening<\/a> by Chelsea Dingman
\nLeaving the Sky<\/a> by Andrew Hemmert
\nI Build My Nest With What The Bulldozer Pushes<\/a> by Kristina Martino
\nPomegranate<\/a> by Betsy Mitchell Martinez<\/p>\nVISUAL POETRY<\/h6>\n
FICTION<\/h6>\n
\nAt the End of That Tight-Tight Chain<\/a> by Barney Haney<\/p>\nNON-FICTION<\/h6>\n
Translation<\/h6>\n
Interviews<\/h6>\n
\nOne Big Communion<\/a>: An Interview with Anders Carlson-Wee<\/p>\nFEATURED ARTIST<\/h6>\n
Comics<\/h6>\n
Contributors<\/a><\/h6>\n
MASTHEAD<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"