{"id":18431,"date":"2023-04-20T18:00:39","date_gmt":"2023-04-20T23:00:39","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=18431"},"modified":"2023-04-20T19:24:05","modified_gmt":"2023-04-21T00:24:05","slug":"nr-40","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/18431","title":{"rendered":"NR 40"},"content":{"rendered":"
POETRY<\/a><\/h6>\n

The Reservoir<\/a> by C. Francis Fisher
\nBodies, Revised<\/a> by Elizabeth Muscari
\nOrder imposes<\/a> by Andrew Najberg
\nAny Moonwalker Can Tell You<\/a> and Any Moonwalker Can Tell You: O Rings<\/a> by Joel Peckham JR
\nArchival Footage: My Father Learns to Edit on a Moviola<\/a> by Amanda Maret Scharf
\nWaldo<\/a> by Cheyenne Taylor<\/p>\n

FICTION<\/a><\/h6>\n

The Piano Lesson<\/a> by Megan Morrison
\nBorrowed<\/a> by Megan Ritchie
\nMilk Teeth<\/a> by Meghan Louise Wagner<\/p>\n

Translation<\/a><\/h6>\n

Wingless Bird<\/a> by Humberto Ak’abal (translated by Michael Bazzett)
\nThe Crib<\/a> by Giulia Sara Miori (translated by Isabella Corletto)<\/p>\n

FEATURED ARTIST<\/a><\/h6>\n

Susan Solomon<\/a><\/p>\n

Comics<\/a><\/h6>\n

Lab Rat<\/a> by Michaela Chan<\/p>\n

The Vanderbilt Project on Unity and American Democracy’s 2023 Poetry Contest<\/a><\/h6>\n

First Place: \u201cIn my ASL class today, we learn how to sign UNITY\u201d<\/a> by Sophie Kaiser, Vanderbilt University
\nSecond Place: \u201cHer eyelids were a lovely yellow-green\u201d<\/a> by TaKya Hughes, East Tennessee State University
\nThird Place: \u201cNon-Immigrant\u201d<\/a> by Shlagha Borah, University of Tennessee, Knoxville<\/p>\n

Contributors<\/a><\/h6>\n
MASTHEAD<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"

POETRY The Reservoir by C. Francis Fisher Bodies, Revised by Elizabeth Muscari Order imposes by Andrew Najberg Any Moonwalker Can Tell You and Any Moonwalker Can Tell You: O Rings by Joel Peckham JR Archival Footage: My Father Learns to Edit on a Moviola by Amanda Maret Scharf Waldo by Cheyenne Taylor FICTION The Piano […]<\/p>\n","protected":false},"author":2272,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[76,1],"tags":[],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-4Nh","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/18431"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2272"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=18431"}],"version-history":[{"count":14,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/18431\/revisions"}],"predecessor-version":[{"id":18617,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/18431\/revisions\/18617"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=18431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=18431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=18431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}