{"id":1738,"date":"2010-08-01T00:01:24","date_gmt":"2010-08-01T05:01:24","guid":{"rendered":"\/nashvillereview\/?p=1738"},"modified":"2015-03-24T15:09:17","modified_gmt":"2015-03-24T21:09:17","slug":"let-me-in","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/1738","title":{"rendered":"El Perro Del Mar"},"content":{"rendered":"<h6>Let Me In<\/h6>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-1738-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2010\/08\/19123309\/04-Let-me-in-1.mp3?_=1\" \/><a href=\"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2010\/08\/19123309\/04-Let-me-in-1.mp3\">https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2010\/08\/19123309\/04-Let-me-in-1.mp3<\/a><\/audio>\n<h6><a title=\"Summer 2010 Contributors\" href=\"\/nashvillereview\/archives\/1771\">El Perro Del Mar<\/a><\/h6>\n<p>is the indie pop musical project of Swedish-born Sarah Assbring.\u00a0Reminiscent of Portishead and Swandive, El Perro Del Mar features multi-instrumentation and electronic looping to create a layered, symphonic, and emotional sound.  \u201cLet Me In\u201d comes from <em>Love Is Not Pop<\/em>, El Perro Del Mar\u2019s fourth album, released in 2009.  <a href=\"www.elperrodelmar.com\">www.elperrodelmar.com<\/a> \u2013 <em>Zachary Greenberg<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Let Me In El Perro Del Mar is the indie pop musical project of Swedish-born Sarah Assbring.\u00a0Reminiscent of Portishead and Swandive, El Perro Del Mar features multi-instrumentation and electronic looping to create a layered, symphonic, and emotional sound. \u201cLet Me In\u201d comes from Love Is Not Pop, El Perro Del Mar\u2019s fourth album, released in [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[13],"tags":[32],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-s2","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/1738"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=1738"}],"version-history":[{"count":2,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/1738\/revisions"}],"predecessor-version":[{"id":11532,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/1738\/revisions\/11532"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=1738"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=1738"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=1738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}