{"id":17065,"date":"2021-08-01T00:01:54","date_gmt":"2021-08-01T05:01:54","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=17065"},"modified":"2021-07-30T14:42:01","modified_gmt":"2021-07-30T19:42:01","slug":"the-keys-and-other-works","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/17065","title":{"rendered":"“The Keys” and other works"},"content":{"rendered":"

Artist’s Statement:<\/p>\n

My collages focus on identity while revolving around comedic and expressionistic undertones. I find myself returning to themes that range from hats, body parts, neckties, and geometric shapes. I’m continually interested in the merging of poetry with art. <\/em><\/p>\n

-Jack Felice<\/p>\n

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Titles, in order: The Keys<\/em>; More Often Than Not<\/em>; Transporting a Potted Plant on the Highway<\/em>; A Thought, In Pieces<\/em>; A Wild Scene<\/em>; The History of Toothpaste<\/em>; Running An Assortment of Errands<\/em>; All the King’s Horses and All the King’s Men<\/em>; A Book in Bed<\/em>; Scene in Color<\/em>; The Wrench<\/em>; Scene II<\/em>; A Yellow Cape<\/em>; Sitting Pretty<\/em>; The Transaction<\/em>.<\/p>\n

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Jack Felice<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"

Artist’s Statement: My collages focus on identity while revolving around comedic and expressionistic undertones. I find myself returning to themes that range from hats, body parts, neckties, and geometric shapes. I’m continually interested in the merging of poetry with art. -Jack Felice       Titles, in order: The Keys; More Often Than Not; Transporting […]<\/p>\n","protected":false},"author":2247,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[69,1],"tags":[43],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-4rf","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/17065"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2247"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=17065"}],"version-history":[{"count":9,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/17065\/revisions"}],"predecessor-version":[{"id":17068,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/17065\/revisions\/17068"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=17065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=17065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=17065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}