{"id":17057,"date":"2021-08-01T00:01:57","date_gmt":"2021-08-01T05:01:57","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=17057"},"modified":"2021-08-03T14:29:14","modified_gmt":"2021-08-03T19:29:14","slug":"nr-35","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/17057","title":{"rendered":"NR 35"},"content":{"rendered":"
POETRY<\/a><\/h6>\n

On Distance<\/a> by Julia Armstrong
\nLeaving Louisiana in the Broad Daylight<\/a> by Shelby Clark
\nElegy for a Methodist<\/a> by Dorsey Craft
\nThe Love Ridge Loop<\/a> by Abbie Kiefer
\nHuman Study<\/a> by Tyler Kline
\nWintering Over<\/a> by Judith Skillman
\nThe Pheasant Speaks<\/a> and Sawing Season<\/a> by Nick Stanovick
\nDecay<\/a> by D.S. Waldman
\nThin Evidence<\/a> by Jane O. Wayne<\/p>\n

FICTION<\/a><\/h6>\n

Nine Eyes<\/a> by Aisha Bhoori
\nHigh Tide<\/a> by Megan Callahan<\/p>\n

TRANSLATION<\/a><\/h6>\n

And yet we were alone<\/a> and Not an experiment with death<\/a> by Chandra Livia Candiani (translated by Roy Duffield and Elisabetta Taboga)<\/p>\n

NONFICTION<\/a><\/h6>\n

Notes on Cleavage<\/a> by SM Sukardi<\/p>\n

FEATURED ARTIST<\/a><\/h6>\n

“The Keys” and other works<\/a> by Jack Felice<\/p>\n

CONTRIBUTORS<\/a><\/h6>\n
MASTHEAD<\/a><\/h6>\n
<\/h6>\n","protected":false},"excerpt":{"rendered":"

POETRY On Distance by Julia Armstrong Leaving Louisiana in the Broad Daylight by Shelby Clark Elegy for a Methodist by Dorsey Craft The Love Ridge Loop by Abbie Kiefer Human Study by Tyler Kline Wintering Over by Judith Skillman The Pheasant Speaks and Sawing Season by Nick Stanovick Decay by D.S. Waldman Thin Evidence by […]<\/p>\n","protected":false},"author":2247,"featured_media":17126,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[69],"tags":[],"jetpack_featured_media_url":"https:\/\/cdn.vanderbilt.edu\/vu-wordpress-0\/wp-content\/uploads\/sites\/15\/2021\/07\/19130903\/Banner_Main-Page-The-Keys.jpeg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-4r7","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/17057"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2247"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=17057"}],"version-history":[{"count":8,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/17057\/revisions"}],"predecessor-version":[{"id":17166,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/17057\/revisions\/17166"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media\/17126"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=17057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=17057"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=17057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}