{"id":16761,"date":"2021-03-30T09:12:47","date_gmt":"2021-03-30T14:12:47","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=16761"},"modified":"2021-03-31T21:17:37","modified_gmt":"2021-04-01T02:17:37","slug":"nr-34","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/16761","title":{"rendered":"NR 34"},"content":{"rendered":"
POETRY<\/a><\/h6>\n

THE QUAKER OATS QUAKER GETS VERY SAD<\/a> by Tory Huff
\nThe Shambler<\/a> by McLeod Logue
\nCountry Music Show<\/a> by Anna Leigh Knowles
\nLessenings<\/a> by Genevieve Payne
\nBecause I Listened to the Dark Emo Love Songs of the Aughts<\/a> by Erin Lynn
\nI LOVE YOU BUT I’VE CHOSEN DISTRACTION<\/a> by Ross White
\nA Girl Walks Into A Party<\/a> by Krysta Lee Frost
\n\u6ca1\u4f60\u6211\u6ca1\u5dee FINE W\/O U DIPTYCH<\/a> by Michael Chang
\nEasing<\/a> by K.A. Hays
\nEvery Story About Myself Begins<\/a> by Erin Jin Mei O’Malley
\nHigh School Punk Show<\/a> by Jim Whiteside
\nTo Catch a Predator<\/a> by Kelsey Kerin<\/p>\n

FICTION<\/a><\/h6>\n

Dead Horse<\/a> by Kaylie Saidin
\nRevelations of a Midnight Plume<\/a> by Monica Brashears<\/p>\n

TRANSLATION<\/a><\/h6>\n

An old man<\/a> by Liu Xingli<\/p>\n

NONFICTION<\/a><\/h6>\n

Commit Yourself<\/a> by Susannah Mintz
\nSmart Pigs<\/a> by Ilana Bean<\/p>\n

REVIEWS\u00a0<\/a><\/h6>\n

Alien Miss<\/em><\/a>: Poems by Carlina Duan<\/p>\n

FEATURED ARTIST<\/a><\/h6>\n

Embodied<\/a> by Jennifer Gauthier<\/p>\n

CONTRIBUTORS<\/a><\/h6>\n
MASTHEAD<\/a><\/h6>\n
<\/h6>\n","protected":false},"excerpt":{"rendered":"

POETRY THE QUAKER OATS QUAKER GETS VERY SAD by Tory Huff The Shambler by McLeod Logue Country Music Show by Anna Leigh Knowles Lessenings by Genevieve Payne Because I Listened to the Dark Emo Love Songs of the Aughts by Erin Lynn I LOVE YOU BUT I’VE CHOSEN DISTRACTION by Ross White A Girl Walks […]<\/p>\n","protected":false},"author":2211,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[67],"tags":[],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-4ml","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16761"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2211"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=16761"}],"version-history":[{"count":6,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16761\/revisions"}],"predecessor-version":[{"id":16804,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16761\/revisions\/16804"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=16761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=16761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=16761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}