{"id":16581,"date":"2020-11-30T18:01:34","date_gmt":"2020-12-01T00:01:34","guid":{"rendered":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/?p=16581"},"modified":"2020-12-03T10:27:52","modified_gmt":"2020-12-03T16:27:52","slug":"nr-33","status":"publish","type":"post","link":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/archives\/16581","title":{"rendered":"NR 33"},"content":{"rendered":"
Poetry<\/a><\/h6>\n

21 La Mano<\/a> by Esteban Rodriguez
\nSeattle Animals<\/a> by Sean Cho A.
\nPreparations<\/a> by Sean Cho A.
\nPorcelain Bowl of White and Blue as Vessel for my Envy<\/a> by Siew David Hii
\nmississippi border<\/a> by Maria Zoccola
\nComplex Nonlinear System<\/a> by Chelsea Dingman
\nAfter Dinner<\/a> by James Ciano
\nFourteen Seven Snickers Green<\/a> by Kelsey Carmody Wort
\nspace stationary<\/a> by Kelsey Carmody Wort
\nTHE AMATEUR ANTHROPOLOGIST ENTERS BASS PRO<\/a> by Megan J. Arlett
\nSnuff<\/a> by Jalen Eutsey
\nAfter Watching \u201cUncut Gems\u201d<\/a> by Jalen Eutsey
\nHUSQVARNA PRINCESS<\/a> by Carolyn Orosz
\nSMASHING BIG ROCKS INTO SMALLER ROCKS<\/a> by Carolyn Orosz
\nHARVEST SCENE<\/a> by Kevin Costello<\/p>\n

Fiction<\/a><\/h6>\n

Turkey Creek Road<\/a> by Corey Elizabeth Campbell
\nMouse<\/a> by Nikki Ervice<\/p>\n

Translation<\/a><\/h6>\n

Evenings Will Return<\/a> by Alfonso Gatto (translated by Lisa Mullenneaux)
\nTo a Foreigner <\/a>by Alfonso Gatto (translated by\u00a0Lisa Mullenneaux )<\/p>\n

Nonfiction<\/a><\/h6>\n

On Things Now Burning or Soon to Ignite<\/a> by MK Sturdevant
\nTrust Me<\/a> by Yuxi Lin<\/p>\n

Featured Artists<\/a><\/h6>\n

A Vacuous Journey<\/a> by Mike McGowan
\nTale of Three Lands<\/a> by Sijia Ma<\/p>\n

Comics<\/a><\/h6>\n

Sourdough<\/a> by Ellie Black<\/p>\n

Contributors<\/a><\/h6>\n
Masthead<\/a><\/h6>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Poetry 21 La Mano by Esteban Rodriguez Seattle Animals by Sean Cho A. Preparations by Sean Cho A. Porcelain Bowl of White and Blue as Vessel for my Envy by Siew David Hii mississippi border by Maria Zoccola Complex Nonlinear System by Chelsea Dingman After Dinner by James Ciano Fourteen Seven Snickers Green by Kelsey […]<\/p>\n","protected":false},"author":2211,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[1],"tags":[],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6Jypy-4jr","_links":{"self":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16581"}],"collection":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/users\/2211"}],"replies":[{"embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/comments?post=16581"}],"version-history":[{"count":4,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16581\/revisions"}],"predecessor-version":[{"id":16633,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/posts\/16581\/revisions\/16633"}],"wp:attachment":[{"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/media?parent=16581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/categories?post=16581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wp0.vanderbilt.edu\/nashvillereview\/wp-json\/wp\/v2\/tags?post=16581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}